Werner Dütsch

What venture capital or VC for short actually means is explained in the film itself. Banks only lend money against collateral. Those who have none have to turn to VC companies and pay interest of 40%.

In Italy, immediately subsequent to the war, a group of people who lost all they possessed during the conflict, settle in a village in ruins. They intend to restore the city from the rubble and re-start life, in imitation of the women of Messina who rebuilt their city, destroyed as it was by an earthquake. Oscillating between respect and suspicion, co-existence between group members is tense. Things become complicated when an envoy from the government arrives to say that nothing there belongs to them. The film is a free adaptation of fragments of the novella ‘The Women of Messina’, by Sicilian writer Elio Vittorini.

En la Italia de la inmediata posguerra, un grupo de gente que ha perdido todo lo que poseía durante el conflicto, sobrevive en un pueblo en ruinas. Tratan de levantar la ciudad de las ruinas y reiniciar su vida, a imitación de las mujeres de Messina que reconstruyeron la ciudad, devastada por un terremoto. Oscilando entre el respeto y la sospecha, la coexistencia entre los miembros del grupo es tensa. Las cosas se complican cuando un eviado del gobierno llega para decirles que nada de lo que tienen les pertenece. La película es una libre adaptación de fragmentos de la novela Las mujeres de Messina, del escritor siciliano Elio Vitorini.

A documentary, a drama, a story of myth and murder. Wanted is a weird, wilderness, western, set in the Dakota Badlands, where the last herd of buffalo cross the paths of beat-up pick up trucks smuggling bootleg whiskey onto the rez'. This is the mysterious world of the tribal cop, where DNA and dreams are accorded equal value in the hunt for a killer, where mere facts are not enough. This is the story of their loves, lives, work and the mysterious case of the Rapid Creek deaths.

Using one of the Lumière Brothers' first films of workers leaving the Factory as his starting point, Farocki provides an insight to changes in industrial production, workers' strikes and motion pictures-- via images of workers leaving factories throughout the years.

Film critic and scholar Helmut Färber analyzes the final scene of Eisensteins "October: Ten Days That Shook the World"

The film documents a debate about early 20th century films, mainly 1910 to 1920, from short news reels to excerpts from full-length movies. At Amsterdam's Film Museum, film directors, students, and film researchers and archivists look at the moving images and discuss their meaning, in the social and technical contexts. Moody live music was added to the edited film.

Essay film about the history of documentary films.

German TV Documentary for WDR about Fritz Lang

Film critic and scholar analyzes Jean Renoir's two films "Le Testament du docteur Cordelier" and "Le Déjeuner sur l’herbe".

TV documentary about the bicycle sequence in Ozu`s Banshun (Late Spring)

Film critic and scholar Helmut Färber recounts the life and work of Robert Bresson

Film critic and scholar Helmut Färber recounts the the life and work of Erich von Stroheim

Film scholar Helmut Färber discusses Griffith' A CORNER IN WHEAT.

Documentary about the films of John Ford.

Helmut Färber makes connections between architecture and film