Erol Afşin

Turkish director Ali Vatansever weighs the human cost of politically motivated urban renewal in his achingly resonant second feature, about a young couple forced to compromise their ideals and work for the very industry encroaching on their Istanbul neighbourhood, in order to keep up with the rent.

Murat, Juri and Cornelia are among the so-called “working poor” – as click workers, in a cardboard factory and as freelance parcel deliverers, they are only linked by their low wages. Each one fights on his or her own.

Lena is in love with her brother Noah. In the desperate attempt to conquer her feelings, she retreats into a world of her own.

Green, an undocumented Turkish pedicab driver, unwittingly draws police attention, endangering his brother, his community, and himself.

Bahar, el comandante en jefe de las Hijas del Sol, un batallón compuesto en su totalidad por mujeres soldados kurdas, está a punto de liberar su ciudad, que ha sido invadida por extremistas de ISIS.

A young man is searching for his place in the world. He finds his way, religion and his "brothers" in the radical Islam. What begins with the wish of helping people in Syria leads Jan through religious murder as an ISIS-soldier and back to his home county Germany.

Nick Tschiller, un duro policía de Hamburgo, viaja a través de Turquía y Rusia para rescatar a su hija de las manos de un agente secreto turco que está preparando un atentado en Moscú.

En un pequeño pueblo, al norte de Turquía, cinco hermanas huérfanas de edades comprendidas entre los doce y los dieciséis años pasan el verano en un jardín paradisíaco de risas y juegos inocentes sobre las olas del Mar Negro con los chicos de la escuela. Sin embargo, la condición de la mujer en el país no tardará en provocar rumores de inmoralidad y escándalo de las jóvenes, así que sus familiares, a través de la abuela y el tío, deciden hacerse cargo del asunto; esto es, prepararlas y precipitarlas hacia su destino de futuras esposas.

Four Muslim friends meet in the forest to pray together and to talk in peace. The harmony gets broken by the coming out of Seydi and the circle gets in an endless spiral of contention; about Islam, sin and belief, forgiveness and punishment. Because Seydi wants the just punishment for his sin, so he is sinless before Allah.

Cyprus 1974. A Cypriot family flees advancing Turkish forces and takes refuge in an abandoned Ottoman-era palace. When a young Turkish Cypriot conscript comes face to face with the family in hiding, he is forced to confront the harsh reality of war and his role in it.