Arnold Schönberg

Pierrot is thrust into Little Town as a private investigator. There, he must unravel the mystery of the Red Royal Rubies and save his true love!

At the beginning of the 20th century there were two celebrated liberators of music who were the complete opposite of each other: the stylishly nonchalant Igor Stravinsky who revolutionized the musical field from the rhythm-section on the one hand – and on the other the smart and world-weary Arnold Schoenberg with his visionary 12-tone-music. What started as a respectful meeting of two composers soo turned into a bitter rivalry that led to a fundamental debate about progress and truth in music. We travelled to L.A., Vienna and Venice to trace the steps of the two genius composers.

Gus and his pregnant girlfriend Anna are on holiday. During their nightly walk to a spot near the water, Anna makes a confession. Can the couple, amidst the wildness of nature and under a full moon, overcome the conflict? Will they reach their idyllic spot?

Moses und Aron is a three-act opera by Arnold Schoenberg with the third act unfinished. The 2015 Production was led by Romeo Castellucci in Paris. Moses und Aron was filmed for television by film director François-René Martin, in coproduction with the Paris Opera, Bel air Media and Arte, with support from the CNC. Moses und Aron was broadcast live on Arte concert and on the Paris Opera website on October 20th 2015, and subsequently broadcast on Arte on Ocotber 23rd 2015.

Una chica que regularmente viste como hombre se enamora y seduce a otra chica, quien no tiene idea de que su enamorada es del mismo sexo que ella. Cuando la mujer presenta al novio ante su padre, él, escéptico, devela el fraude. Aunque, extrañamente, los sentimientos de la chica persisten sin cambio alguno, el padre no les permite volverse a ver nunca más. Furioso y desilusionado el "chico" desarrolla un plan aventurado para probar su "masculinidad" al padre de su amante.

Performance of Schoenberg's Gurrelieder by SBR, conducted by Mariss Jansons

One of the greatest revolutions in the history of mankind happened around 3000 years ago: the transition from polytheism to monotheism through the prophet Moses. God revealed himself directly to Moses, instructing him in absolute truth. Moses was charged with leading the people of Israel to the Promised Land and escaping from Egyptian slavery. Moses came to embody the relationship between the human and divine truth. God’s call to Moses presented a new idea that exploded all previous religious concepts: ‘One God – unique, eternal, intangible, inconceivable’. Moses understands this concept, but is unable to express it, and therefore God appoints Moses’ brother Aaron as his spokesman. They are bound to fail: Aaron can only approach sharing the idea by compromising its meaning, whilst Moses is left to search fruitlessly for “the word I lack …” This production of Arnold Schoenbergs opera was filmed during the Ruhrtriennale 2009.

A policeman lunching with his daughter is present when a dead body washes up on shore. He investigates, leading him down a twisted and muddled path of nefarious connections reflecting, somewhat, his own life.

In the film One Night. One Life, based on the cycle Pierrot Lunaire, Arnold Schönberg’s opus 21, director Oliver Herrmann has created a surreal, at times grotesque dream world set in a modern city, through which Pierrot (Christine Schäfer) moves like a spirit. In each new number she passes through different scenes and levels of the world around us: such as an abattoir, a peep-show, a station or a supermarket.

A film with and about the painter Christian Ludwig Attersee. The external occasion, Attersee's fiftieth birthday is being complemented by an in-depth documentation of Attersee's art and oeuvre which gives a transparent account of his perception of reality and its visual transformation.

A series of short vignettes set in a Berlin Mietskaserne (rental barracks for the poor), framed by Schönberg's atonal piece Pierrot Lunaire.

A German TV movie

Engel und Puppe is the first film by Italian filmmaker and writer Ellis Donda. Screened at Oberhausen in 1975, Engel und Puppe is a political adaptation of some lines from Rilke's Duino Elegies, featuring the French poet Jacqueline Risset and a young Rossella Or (soon to become an avant-garde theatre actress).

A familiar Biblical tale transformed into a cinematic opera of seemingly endless possibility. In expressive, melodic tones, the fraternal pair debate God’s true message and intent for His creations, a conflict that leads their followers towards chaos and sin. Set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.