Editor
Shot in only one night following the experiences and methods of the Situacionists about redifining the urban scenario, Adrift tries to find new meanings in the city landscape, to catch furtives atmospheres, to treasure instants, to integrate the chance in a journey that, in retrospective, asumes a new, autonomous form. In that sense, it's an experiment that uses the streets to perform a human comedy in perpetual movement.
Executive Producer
Shot in only one night following the experiences and methods of the Situacionists about redifining the urban scenario, Adrift tries to find new meanings in the city landscape, to catch furtives atmospheres, to treasure instants, to integrate the chance in a journey that, in retrospective, asumes a new, autonomous form. In that sense, it's an experiment that uses the streets to perform a human comedy in perpetual movement.
Idea
Shot in only one night following the experiences and methods of the Situacionists about redifining the urban scenario, Adrift tries to find new meanings in the city landscape, to catch furtives atmospheres, to treasure instants, to integrate the chance in a journey that, in retrospective, asumes a new, autonomous form. In that sense, it's an experiment that uses the streets to perform a human comedy in perpetual movement.
Screenplay
Shot in only one night following the experiences and methods of the Situacionists about redifining the urban scenario, Adrift tries to find new meanings in the city landscape, to catch furtives atmospheres, to treasure instants, to integrate the chance in a journey that, in retrospective, asumes a new, autonomous form. In that sense, it's an experiment that uses the streets to perform a human comedy in perpetual movement.
Director
Shot in only one night following the experiences and methods of the Situacionists about redifining the urban scenario, Adrift tries to find new meanings in the city landscape, to catch furtives atmospheres, to treasure instants, to integrate the chance in a journey that, in retrospective, asumes a new, autonomous form. In that sense, it's an experiment that uses the streets to perform a human comedy in perpetual movement.
Screenplay
Pamela, 34 años, es una mujer pequeña y tímida, que trabaja como cajera en un supermercado de Montevideo. Acude a un templo religioso dirigido por un pastor brasileño. Es adicta a los dulces. Visita regularmente a su madre autista. Un personaje anónimo. Una vida sin brillo. De pronto, el milagro ocurre. Mensajes de un destino maravilloso llegan a Pamela por vías insólitas : un misterioso cliente, un travesti amable y carismático, sueños, códigos de barra, señales reales e imaginarias. El Salvador del próximo milenio está en camino y ella, virgen como es, podría ser la Elegida para traerlo al mundo.
Director
Pamela, 34 años, es una mujer pequeña y tímida, que trabaja como cajera en un supermercado de Montevideo. Acude a un templo religioso dirigido por un pastor brasileño. Es adicta a los dulces. Visita regularmente a su madre autista. Un personaje anónimo. Una vida sin brillo. De pronto, el milagro ocurre. Mensajes de un destino maravilloso llegan a Pamela por vías insólitas : un misterioso cliente, un travesti amable y carismático, sueños, códigos de barra, señales reales e imaginarias. El Salvador del próximo milenio está en camino y ella, virgen como es, podría ser la Elegida para traerlo al mundo.
Writer
An unrepenitent Don Juan, an introverted buddy, their girlfriends, and the women they have their eyes on—all mix in the nightlife of Montevideo.
Director
An unrepenitent Don Juan, an introverted buddy, their girlfriends, and the women they have their eyes on—all mix in the nightlife of Montevideo.