Screenplay
Historically, even the most divided societies can find cohesion in the magic of war, forgetting disputes with their governments and setting aside their frustrations. This stop motion short takes a lyrical approach to the phenomenon of war; which, in this case, transpires on a chessboard.
Director
Historically, even the most divided societies can find cohesion in the magic of war, forgetting disputes with their governments and setting aside their frustrations. This stop motion short takes a lyrical approach to the phenomenon of war; which, in this case, transpires on a chessboard.
Director
En el marco de la conmemoración de la celebración del bicentenario de la Independencia y del centenario de la Revolución Mexicana, el Instituto Mexicano de Cinematografía en coproducción con la Cámara Nacional de la Industria Electrónica de Telecomunicaciones y Tecnologías de la Información (CANIETI), y bajo la dirección de los realizadores Luis Téllez, Karla Castañeda, Rigoberto Mora, René Castillo y Rita Basulto, se llevó a cabo la producción 26 cápsulas cinematográficas de animación con una duración de 1 minuto y medio, las cua- les abordan anécdotas de la vida cotidiana tanto de 1810, como de 1910. El título del proyecto es Suertes, humores y pequeñas historias de la Independencia y de la Revolución. En el Festival Internacional de Cine de Morelia se proyectarán las siguientes cinecápsulas que están contempladas dentro de Suertes, humores y pequeñas historias de la Independencia y de la Revolución.
Director
Andrew Oehler, illusionist and tailor's apprentice, born in Germany, departs to travel the world in search for his dreams. He takes his magic lantern and finally arrives in Mexico in 1805 bedazzling people wherever he goes. Can a few lights and mirrors provoke the wrath of the Inquisition?
Animation
Biografía imaginaria de una niña que muere atropellada, utilizando la imagen de la princesa encantada que despierta en busca del paraíso doméstico y un final feliz.
Animation
Un hombre llega al mundo de los muertos, en donde es recibido por un gusano, calacas sonrientes y la mismísima calavera Catrina. Después de un rato de diversión y coqueteo, el hombre descubre que, después de todo, estar muerto no es tan malo.
Screenplay
In a futuristic and industrialized world, a product, called Inzomnia, has been created. This pill helps people regain energy to the point they can live without sleeping anylonger. Inzomnia is compulsorily administered to everyone, but people start losing their memory and turning into some kind of automata, performing mechanical tasks to keep the system unstoppable. Camila, a 10 year old girl, is immune to Inzomnia pills, and therefore the only one able to sleep... and dream. In her dreams she will encounter fantastic creatures and live many adventures that will lead her to find answers about the origins of Inzomnia.
Director
In a futuristic and industrialized world, a product, called Inzomnia, has been created. This pill helps people regain energy to the point they can live without sleeping anylonger. Inzomnia is compulsorily administered to everyone, but people start losing their memory and turning into some kind of automata, performing mechanical tasks to keep the system unstoppable. Camila, a 10 year old girl, is immune to Inzomnia pills, and therefore the only one able to sleep... and dream. In her dreams she will encounter fantastic creatures and live many adventures that will lead her to find answers about the origins of Inzomnia.
