Artur Ruciński

On May 21, soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Lucia di Lammermoor, in an electrifying new staging by in-demand Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Show-stopping tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

Time is running out for Violetta. Her illness is relentless, as are her feelings for her young admirer. As her past as a Parisian courtesan catches up with her, his provincial family is determined to break up their scandalous affair. Verdi’s La traviata is without a doubt one of the most moving stories in the operatic canon. Teatro Real’s semi-staged concert version recorded in July was one of the first productions to be put on worldwide after the lockdown. The ambitious undertaking weaves reality into its staging concept and features a spectacular cast led by Marina Rebeka, Michael Fabiano and Artur Ruciński.

Massenet’s tale of passion, excess, and their consequences stars rising soprano Lisette Oropesa in the effervescent title role. Tenor Michael Fabiano is her ardent admirer, Chevalier des Grieux, with Maurizio Benini conducting Laurent Pelly’s enchanting production.

Love can be questionable, especially when it involves forgery and attempted murder. David Alden directs and Daniel Oren conducts.

No one better described the half-starved, struggling artists than Murger in his Scènes de la Vie de Bohème: artists ready to burn a manuscript to try to keep warm yet,in an era of triumphant bourgeois materialism, dreaming of another existence. Taking up these scenes of Bohemian life, Puccini offers us a heart-breaking love story and some of the most beautiful music in the history of opera in the story of the poet Rodolfo and fragile Mimi. The staging of this new production has been entrusted to Claus Guth who sets the drama in a future devoid of hope in which love and art become the sole means of transcendence.

Emisión de la ópera Il trovatore dentro en el marco de la propuesta del Liceo de Barcelona "Liceu a la fresca". Coproducción del Gran Teatre del Liceu y la Ópera de Oviedo sobre la obra de Giuseppe Verdi. Daniele Callegari y Joan Anton Rechi se ponen al frente de la dirección musical y la dirección de escena respectivamente, en una versión que sorprenderá a los espectadores al relacionar el argumento de la ópera con la serie de grabados de Goya 'Los Desastres de la guerra'. El reparto de esta versión de la ópera de Verdi está encabezado por Gerge Petean (Conde de Luna), Tamara Wilson (Leonora), Marianne Cornetti (Azucena) y Piero Pretti (Manrico), entre otros. Junto a ellos, la Orquesta Sinfónica y Coro del Gran Teatre del Liceu. 'Il Trovatore' es una ópera en cuatro actos con música de Verdi y libreto de Salvatore Cammarano y Emanuele Bardare cuyo estreno absoluto tuvo lugar en el Teatro Apollo de Roma en 1853 y que llegó por primera vez al Liceu de Barcelona en 1854.

In Trelinski's timeless production he leads a superb, first-class young cast headed by Artur Ruzinski as Onegin and Kristīne Opolais as Tatyana. Mariusz Trelinski, Polish filmmaker and theater director, has created a series of dream-like, surrealist tableaux of great suggestive beauty.

Part of Tutto Verdi series - I masnadieri (2012) Naples. 'I masnadieri' ('The Bandits' or 'The Robbers') is an opera in four acts by Giuseppe Verdi to an Italian libretto by Andrea Maffei, based on 'Die Räuber' by Friedrich von Schiller. As Verdi became more successful in Italy, he began to receive offers from other opera houses outside the country. The London impresario Benjamin Lumley had presented Ernani in 1845 and, as a result of its success, commissioned an opera from the composer which became 'I masnadieri'. It was given its first performance at Her Majesty's Theatre on 22 July 1847 with Verdi conducting the first two performances.