José A. Mauro

A documentary-tribute to the filmmaker Humberto Mauro considered the pioneer of Brazilian and Latin American cinema, directed by his grandnephew, André Di Mauro.

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

Aspects of writer Clarice Lispector's personality and soul remembered on the occasion of her death in the testimony of friends. The testimonies are interspersed with excerpts from an interview that Clarice gave in life to a television station.

Documentary about the resumption of the workers 'movement during and after 17 years of dictatorship, led by the metallurgists of ABC Paulista (Luiz Inácio Lula da Silva) that culminated in the creation of the Workers' Party - PT

Ecology - the eco system, a nature reserve in the south of the country - RS (between the Mirim lagoons) shows the harmony between nature and animals.

Ecology - the eco system, a nature reserve in the south of the country - RS (between the Mirim lagoons) shows the harmony between nature and animals.

Record of the life and work of Luiz Thomaz Reis, a cameraman who accompanied Rondon's expeditions through the interior of Brazil since 1915. He documented, in photographs, the revolutionary movements of the 1920s, especially that of Catanduva. In the montage, iconographic material, old films and filming made at the National Museum of Cinema were used, where some of his cameras are located.

Record of the life and work of Luiz Thomaz Reis, a cameraman who accompanied Rondon's expeditions through the interior of Brazil since 1915. He documented, in photographs, the revolutionary movements of the 1920s, especially that of Catanduva. In the montage, iconographic material, old films and filming made at the National Museum of Cinema were used, where some of his cameras are located.

The origins and activities of the Academy, culminating in the election of the first female academic: Rachel de Queiroz.

The first Brazilians who engaged in aviation, from Bartolomeu Lourenço de Gusmão with his hot air balloon to Alberto Santos Dumont, giving Brazil a prominent place in aviation. The creation of the Military Air Mail (CAM) and the Brazilian aviation industry. Commemoration of the centenary of the birth of Santos Dumont. The house where Santos Dumont was born; Bartolomeu Gusmão (Santos - SP); small hot air balloon Júlio César Ribeiro de Souza; 1881: his Victory balloon flies in Paris; Augusto Ribeiro; Santos Dumont: the balloon in the Torre Eifel, the 14 bis, the 'Demoiselle': real scenes of the time. Edu Chaves flies the Rio-Buenos Aires route in the 1920s. Current era: manufacture of the Bandeirante (assembly line). President Médici flies in the first Bandeirante; Xavante and Ipanema, Universal, rego elo and other models manufactured by Embraer in São José dos Campos.

The first Brazilians who engaged in aviation, from Bartolomeu Lourenço de Gusmão with his hot air balloon to Alberto Santos Dumont, giving Brazil a prominent place in aviation. The creation of the Military Air Mail (CAM) and the Brazilian aviation industry. Commemoration of the centenary of the birth of Santos Dumont. The house where Santos Dumont was born; Bartolomeu Gusmão (Santos - SP); small hot air balloon Júlio César Ribeiro de Souza; 1881: his Victory balloon flies in Paris; Augusto Ribeiro; Santos Dumont: the balloon in the Torre Eifel, the 14 bis, the 'Demoiselle': real scenes of the time. Edu Chaves flies the Rio-Buenos Aires route in the 1920s. Current era: manufacture of the Bandeirante (assembly line). President Médici flies in the first Bandeirante; Xavante and Ipanema, Universal, rego elo and other models manufactured by Embraer in São José dos Campos.

The film documents the old Rio de Janeiro and its great focus of diseases. Stresses the decisive importance of Oswaldo Cruz who creates Experimental Medicine in Brazil, believing that without sanitation, no undertaking could succeed. Rodrigues Alves then started the urbanization of Rio, against great interests.

The film documents the old Rio de Janeiro and its great focus of diseases. Stresses the decisive importance of Oswaldo Cruz who creates Experimental Medicine in Brazil, believing that without sanitation, no undertaking could succeed. Rodrigues Alves then started the urbanization of Rio, against great interests.

The architect Sérgio Bernardes' vision of the future for Rio de Janeiro. Models and designs of airports, ports, and remodeled neighborhoods propose the creation of a vertical city for the urban problem and its transformation into an international center for commercial and

A Velha a Fiar illustrates a Brazilian folk song in which a being or entity is always predating another being, but is in its turn predated by some other animal, until the circle closes. It begins like this: an old woman is quietly weaving and a fly disturbs her; a spider eats the fly; a mouse eats the spider; a cat chases the mouse and so on...

Animations (only parts in nuclei in the film) and images, many of them archival and foreign, illustrate that the notion of time is associated with movement and its measurement is performed by the rotation of the Earth around its axis and the Sun. The angle of inclination of the Earth in this last movement also marks the climatic seasons. From the need for greater accuracy in measuring time, gnomons and solar quadrants arose, for whose reading the duodecimal numbering is used. Based on this numbering, time zones and mechanical measuring devices were established, illustrated by the clock mechanism with a church bell. The evolution of astronomy determines the creation of more accurate electronic devices for the evaluation of time, such as the meridian telescope, the Markowitz chamber, the electronic oscillators and the telescope, with which astronomers work at the National Observatory.

Animations (only parts in nuclei in the film) and images, many of them archival and foreign, illustrate that the notion of time is associated with movement and its measurement is performed by the rotation of the Earth around its axis and the Sun. The angle of inclination of the Earth in this last movement also marks the climatic seasons. From the need for greater accuracy in measuring time, gnomons and solar quadrants arose, for whose reading the duodecimal numbering is used. Based on this numbering, time zones and mechanical measuring devices were established, illustrated by the clock mechanism with a church bell. The evolution of astronomy determines the creation of more accurate electronic devices for the evaluation of time, such as the meridian telescope, the Markowitz chamber, the electronic oscillators and the telescope, with which astronomers work at the National Observatory.

Aspects of the city of Congonhas do Campo. The preponderance of baroque architecture, the Basilica of Senhor Bom Jesus de Matozinho, the six chapels on the terrace leading to Morro do Maranhão. Each chapel contains statues representing moments of the Passion of Christ. While in the first chapel there is Santa Ceia figuration, in the second there is the Passo Horto scene. The kiss of betrayal and the imprisonment of Christ before the scene of the third chapel. In the fourth, two scenes are gathered: the coronation and the flagellation. On the fifth, the Christ bears the cross and the crucifixion is featured in the sixth chapel. The twelve apostles of Aleijadinho and the Latin inscriptions of each one. The interior of the Basilica and its main altar, with the figure of the Lord Dead.

Aspects of the city of Congonhas do Campo. The preponderance of baroque architecture, the Basilica of Senhor Bom Jesus de Matozinho, the six chapels on the terrace leading to Morro do Maranhão. Each chapel contains statues representing moments of the Passion of Christ. While in the first chapel there is Santa Ceia figuration, in the second there is the Passo Horto scene. The kiss of betrayal and the imprisonment of Christ before the scene of the third chapel. In the fourth, two scenes are gathered: the coronation and the flagellation. On the fifth, the Christ bears the cross and the crucifixion is featured in the sixth chapel. The twelve apostles of Aleijadinho and the Latin inscriptions of each one. The interior of the Basilica and its main altar, with the figure of the Lord Dead.

Musical rhytyms inspired by work activities.

Musical rhytyms inspired by work activities.

Coronel Januário's goddaughter, Maria Fausta, is having a secret affair with João do Carmo. While her godfather is engaged in his political campaign for mayor of the city, the couple disappears. Galdino, an accordionist who is secretly in love with her, goes looking for them.

Aspects of the Brazilian composer's life, highlighting musical excerpts from the "Série Brasileira".

Biographical data about Castro Alves: the different cities where he lived, the love misadventures, the school institutions where he studied and his poetry. Countryside landscapes illustrate the narrated trajectory. Negra caresses a child in a performance by Castro Alves with her nanny Leopoldina. Men work in pestles, weed. Views of the cities of Cachoeira and Salvador. In the capital, highlights include the Church, Feira de Meninos, the Solar da Boa Vista. Views of the city of Recife. The Recife Faculty of Law. A herm of the poet. The Santa Isabel Theatre. Return to Salvador and the São João Theater.

At the Rockefeller Foundation, the rat colony for experiments with viruses and antibodies in humans. In Ilha dos Macacos, next to the Oswaldo Cruz Institute, in Rio de Janeiro, the creation of Rhesus monkey by the Rockefeller Foundation - a primate species that allows the monitoring of experimental yellow fever.

The film demonstrates all stages of production of the yellow fever vaccine that took place in the Yellow Fever Service laboratory of the Rockefeller Foundation, located in Manguinhos, Rio de Janeiro, next to the Oswaldo Cruz Institute.