Alexandre Gonçalves

A portrait of António Campos, an extraordinary cineaste that was called an amateur, one of the most unique Portuguese directors due to the way he filmed the country on the 1960 and 1970’s. Considered as a director out of the mainstream, a loner, instinctive, Campos stands for the passion of filming.

Abel, 47 years old, two wars - in the colonies and France, emigration - several scars from many battles lost, returns in a jump to Portugal, to his lost village in the northern interior, near the border, from where one day he'd be gone, also from a jump. A letter, from his brother Peter, warned him that everything changed. Even Teresa. Abel catches sight of his childhood in the village hills, the old tribe. From a distance everything seams to be in the same placesa, the old dog is all that remains of the past. In the village the Act of Passion will be performed and Teresa is one of the participants. Abel takes the old gestures and prepares his plan: eliminate one by one Teresa's suitors, to consummate during the act of the Passion, her death ...

Revolução records a series of murals and posters in the city of Lisbon after the Carnation Revolution.

A borderland village of Trás-os-Montes, 27 km away from Bragança, Rio de Onor preserved - due to its isolated location - the old communitarian practices, of farmers and shepherds, that define it as an important and unmistakable center of this region.

After her mother's death, Sofia returns from a Swiss college to her family's luxurious villa, in Cascais. Through the relashionship between her father, Henrique, and his lover Laura, she will discover the complexity, egothistic, discrete and hypocrite way of life - from which there is no escape.

The Soares are a bourgeois couple, living in a good neighbourhood of Lisbon, but João, their son, is not integrating well in that pattern. He attends more political meetings than classes at the Faculty of Economy, and gets a job but that's short lived because his female boss makes him her lover. He longs for the coffee shops, and the companions of old, but he doesn't get true love from anyone.

The Soares are a bourgeois couple, living in a good neighbourhood of Lisbon, but João, their son, is not integrating well in that pattern. He attends more political meetings than classes at the Faculty of Economy, and gets a job but that's short lived because his female boss makes him her lover. He longs for the coffee shops, and the companions of old, but he doesn't get true love from anyone.

Artur is in Lisbon for his holidays, wonders aimlessly, and is picked up by Rui, a young man who is into marketing and advertising. Joana is in Lisbon for holidays, but also trying to escape from a mysterious, dark passion. Artur and Joana come together, find common roots in their rural background.

Retrato social típica de un país aislado y pobre, víctima de una ideología totalitaria. "Un universo parada y opresiva rural, roto por ausencias, desacuerdos o silencios, centrado en una pareja - Maria dos Prazeres, Álvaro Silvestre. Estado civil compromiso de relaciones, que se hizo añicos por el conflicto latente de pasiones, debilidades y deseos reprimidos ". Cit:. José de Matos-Cruz en Cais do mira, ed. Portuguesa Cinemateca, 1,999.

Lúcia is courted by António, from the same social class, although she keeps a loving memory of Francisco, a half-adventurer marginal.

“I think my film represents above all the proof to those who want to understand and accept it, that poetry can’t be filmed, that it is useless to try” - João César Monteiro

Short film on the creation of an agricultural cooperative in the village of Sever do Vouga.

The tribulations of two friends who, in despair, start begging from door-to-door, and are given a bundle including, literally, a pair of deadman's shoes

Situated at the foot of Yellow Mountain, which protected it from the cold offshore winds of winter, and between the rivers Man and Eido, which irrigated the fields around it, the village of Vilarinho das Furnas was destroyed in 1969. This documentary provides a tribute to the people of the town during the last 12 months of its existence, before being erased by the cold and clear waters that gave it life for so long.

A short film from the 1960s, a production by Francisco de Castro, Albufeira is a film promoting tourism in the Algarve city (such as Lisbon, Jardim da Europa), showing, however, the authorial and experimental brand of António Macedo, a of the founders of the Portuguese Cinema Novo, always inclined to escape the canons of production.

Former boxing champion Belarmino answers a psychological facing the camera in close-up. Then the camera follows him in his daily routine, at home with his family, oggling the women and working as doorman to a night-club, as well as the of training and boxing sessions.

The production and the economic and social relevance of electric cables, may be watched as abstract art to the tunes of jazz.

Documentary short film on the city of Évora, Portugal. Usually regarded as the first film of the Portuguese New Wave.

The life of tuna fishermen and their families during the fishing season on Pumpkin Island in Tavira (Algarve). The documentary depicts their fishing methods and their return home after fishing. This was the last activity of "frame" or "almadraba" tuna fishery, before the camp was destroyed by the sea in the winter of the following year, in 1962.