Susanne Schüle

Nacimiento : 1967-01-01,

Películas

Liebe Angst
Director of Photography
Kim has her music. Kim has her dogs. Kim has her faith. Kim struggles, every day: with anxiety, for a bit of normality, to stand on her own two feet. Kim’s mother, Lore, was deported to Auschwitz at the age of six. To this day, Lore is a DP, a displaced person. Lore has her index cards. From morning till night, she transcribes articles from the daily newspaper, archiving them in boxes and baskets. All her life, Lore has been silent: about her mother, about the hiding place where she survived, about Tom, her son, Kim’s brother, who took his own life. Kim instead wants to talk: about her childhood with Lore, about Tom, about the scarred lives they both lead.
Cows on the Roof
Cinematography
Herdsman Fabiano will be a father soon. He owns fifty goats and eight cows and is trying his best to produce the alpine cheese that his hippie parents made a name for themselves with in the '70s, in an isolated valley of Ticino. But nothing is going the way it should. He's in debt, and feels guilty for a fatal accident which occurred the previous year, which haunts him. How can he and his girlfriend build a life together under such difficult circumstances?
Helga Paris, Fotografin
Cinematography
SPK Complex
Director of Photography
The anti-psychiatric Socialist Patients' Collective (SPK) was founded in Heidelberg in 1970 and attributed individual suffering to society’s capitalist structures. It began as a self-organised experiment in group therapy led by doctor Wolfgang Huber with psychiatric patients, featuring Hegel readings and individual agitation, before subsequently radicalizing, which ended in criminal proceedings against its members, some of whom went underground with the Red Army Faction.
Heino Jaeger - Look Before You Kuck
Cinematography
A documentary about the tragic life of the forgotten German comedian Heino Jäger.
Bounds
Cinematography
In the 80’s, new border barrier systems were used in the former GDR. The escape attempts with cars towards West Germany increased. Metal workers and Stasi (Ministry for State Security) are working hand in hand for the defence against “terrorism” in order to prevent escape attempts. In conspiratorial work they created new barriers after their actual working hours. Crash tests for the defence against terrorism, collisions for the case of emergency. Cars crashing into the new barricades, leaving a total loss. From the mid-80s those barriers were installed at all border crossing points. BOUNDS is about the motivation of all who were involved, from tragic ending escapes and gives insight into the German engineering ingenuity and the military spirit.
Sportsfreund Lötzsch
Cinematography
Wolli in Paradise
Cinematography
The place: the outskirts of Hamburg, a flat, two rooms, a kitchen, a bathroom. The time: one day and the passing night. Wolfgang “Wolli” Köhler, former owner of a porn-cinema and a brothel, turned poet and illustrator, lives here with his wife Linda. Scenes of cohabitation. Scenes from a life together. Reminiscences of an existence that has led them from Waldheim in Saxony to St. Pauli in Hamburg. Insights into the abject wretchedness of the sex industry. The underworld of covert backyard meetings before the advent of AIDS. Prejudices are undermined, preconceptions challenged. Wolli takes a trip down his own personal “memory lane”.
The Boxing Prince
Cinematography
The documentary tells the life story of the boxer Norbert Grupe, who was known by his fighting name Prince of Homburg.
Fremde Oder
Cinematography
Documentary film by Helke Misselwitz.