António Gonçalves

In 1974, after years of civil war, the Portuguese and their descendants fled the colony of Angola where independentist groups gradually claimed their territory back. A tribal girl discovers love and death when her path crosses that of a young Portuguese soldier. Meanwhile, another group of Portuguese soldiers is barracked inside an infinite wall from which they will have to escape once the past comes out of the grave to claim its long-awaited justice.

On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal

Un giallo postmoderno que secuestra nuestras mentes y sentidos para introducirnos en el mundo de Candide, un imperturbable y seductor asesino en serie que una noche se topa con una mujer que acaba de saltar de un edificio y que le pide un último beso antes de morir. Instante que capta una cámara y que le convierte en un fenómeno en las redes, empezando así una huida hacia adelante de incierto fin. Un film de imaginario subversivo, fetichista y surrealista de Carlos Conceição ("Serpentário") una de las voces más excitantes del cine portugués contemporáneo, con cameo de Leonor Silveira, actriz icónica del cine de Oliveira.

Un giallo postmoderno que secuestra nuestras mentes y sentidos para introducirnos en el mundo de Candide, un imperturbable y seductor asesino en serie que una noche se topa con una mujer que acaba de saltar de un edificio y que le pide un último beso antes de morir. Instante que capta una cámara y que le convierte en un fenómeno en las redes, empezando así una huida hacia adelante de incierto fin. Un film de imaginario subversivo, fetichista y surrealista de Carlos Conceição ("Serpentário") una de las voces más excitantes del cine portugués contemporáneo, con cameo de Leonor Silveira, actriz icónica del cine de Oliveira.

A young man drifts through a post-disaster African landscape looking for his mother's ghost.

A young man drifts through a post-disaster African landscape looking for his mother's ghost.

Threatened by a fascist plot, the Portuguese government recruits several "special people" to stop the coup.

Threatened by a fascist plot, the Portuguese government recruits several "special people" to stop the coup.

Inês is a teenager from a wealthy family. However, after classes, he participates in risky sexual games, compulsively uses the internet and attends the nightlife of Lisbon, entering a spiral of total destruction.

Wayward boy punishes his mother’s lover. Beauty and horror fondle each other. Young gods callously abjure conventional morality. Death goes whoring in child’s guise. Living in a world of role play, Miguel spends all his time playing with his sister Clara. They have a close bond that is made even more intense by Clara's illness. Yet despite all his efforts, Miguel senses that there's something missing in Clara's life that he cannot give her. Time is running out, and her health is deteriorating. One evening, he decides to approach a young man.

In 1988, Lisbon’s Chiado was ravaged by a fire; now, some of the highest real estate property prices in Portugal are paid for a piece of this Álvaro Siza Vieira-renovated area. Reproduta interdita was one of Pêra’s first (and certainly weirdest) works to deal with the aftermath of this disaster.