Nastia Korkia
Historia
Nastia Korkia graduated from the Moscow New School of Cinema, where she studied under Bakur Bakuradze and Nikolai Khomeriki. In 2017 she participated in a master class held by Werner Herzog, as part of which she made her short film Forget Everything. The film premiered at New York’s Metropolitan Museum and was selected for a number of festivals around the world, including Message to Man 2017. Nastia is currently working on a feature-length documentary film about the creation of the cultural space in the GES-2 station, and her feature-length documentary Estoy Feliz (“I’m Happy”) is also at the post-production stage.
Director
Since the Russian invasion of Ukraine, many Russians have started having dreams about their president and sharing them on social media. More than a thousand dreams about Putin have now been recorded and posted on public platforms. In Dreams About Putin, a selection of these dreams have been brought to life using Unreal Engine, a 3D graphics program for creating scenes for computer games. In this exciting experiment with form, the animations are complemented by rare archival footage of the Russian president. The dreams are related by a narrator, and their “translation” into 3D scenes is not literal; likewise, the archival footage has been lightly edited. The result is sometimes dryly comic, sometimes absurdist, sometimes disturbing, and sometimes even hopeful. A series of bizarre but therefore oddly familiar nightmares as a vision of Putin’s Russia.
Director
The chapters of a Russian funeral procession offer a meditation on ritual and loss.
Producer
This is ‘a road movie’ encapsulated in the Moscow metro system and filmed over the course of one year: a documentary film that observes cultural and social issues in modern Russia.
Producer
Some weekdays in the life of literature teacher Tamara, which hold nothing surprising for her. It is the story about the narrowness of the space of life with insufficient choice.
Screenplay
Some weekdays in the life of literature teacher Tamara, which hold nothing surprising for her. It is the story about the narrowness of the space of life with insufficient choice.
Director
Some weekdays in the life of literature teacher Tamara, which hold nothing surprising for her. It is the story about the narrowness of the space of life with insufficient choice.
Screenplay
En 2014 la Fundación V-A-C, propiedad de uno de los oligarcas rusos más ricos del mundo, adquirió la abandonada central eléctrica de Moscú GES-2 con el propósito de dotar de energía cultural a toda la ciudadanía, y encargó el proyecto al arquitecto Renzo Piano. Durante cinco años la directora disfrutó de un acceso privilegiado a operarios, constructores, supervisores del proyecto y arquitectos. Nastia Korkia nos propone, con muchas dosis de humor, un retrato cercano, coral y no cronológico de la transformación de este gran edificio en un centro cultural.
Camera Operator
En 2014 la Fundación V-A-C, propiedad de uno de los oligarcas rusos más ricos del mundo, adquirió la abandonada central eléctrica de Moscú GES-2 con el propósito de dotar de energía cultural a toda la ciudadanía, y encargó el proyecto al arquitecto Renzo Piano. Durante cinco años la directora disfrutó de un acceso privilegiado a operarios, constructores, supervisores del proyecto y arquitectos. Nastia Korkia nos propone, con muchas dosis de humor, un retrato cercano, coral y no cronológico de la transformación de este gran edificio en un centro cultural.
Producer
En 2014 la Fundación V-A-C, propiedad de uno de los oligarcas rusos más ricos del mundo, adquirió la abandonada central eléctrica de Moscú GES-2 con el propósito de dotar de energía cultural a toda la ciudadanía, y encargó el proyecto al arquitecto Renzo Piano. Durante cinco años la directora disfrutó de un acceso privilegiado a operarios, constructores, supervisores del proyecto y arquitectos. Nastia Korkia nos propone, con muchas dosis de humor, un retrato cercano, coral y no cronológico de la transformación de este gran edificio en un centro cultural.
Editor
En 2014 la Fundación V-A-C, propiedad de uno de los oligarcas rusos más ricos del mundo, adquirió la abandonada central eléctrica de Moscú GES-2 con el propósito de dotar de energía cultural a toda la ciudadanía, y encargó el proyecto al arquitecto Renzo Piano. Durante cinco años la directora disfrutó de un acceso privilegiado a operarios, constructores, supervisores del proyecto y arquitectos. Nastia Korkia nos propone, con muchas dosis de humor, un retrato cercano, coral y no cronológico de la transformación de este gran edificio en un centro cultural.
Director
En 2014 la Fundación V-A-C, propiedad de uno de los oligarcas rusos más ricos del mundo, adquirió la abandonada central eléctrica de Moscú GES-2 con el propósito de dotar de energía cultural a toda la ciudadanía, y encargó el proyecto al arquitecto Renzo Piano. Durante cinco años la directora disfrutó de un acceso privilegiado a operarios, constructores, supervisores del proyecto y arquitectos. Nastia Korkia nos propone, con muchas dosis de humor, un retrato cercano, coral y no cronológico de la transformación de este gran edificio en un centro cultural.
Director
Mila got diagnosed with tongue cancer. Instead of operation and chemotherapy she decides to try an unconventional treatment in the Amazon jungle of Peru and to make a film about her healing process.
Producer
Mila got diagnosed with tongue cancer. Instead of operation and chemotherapy she decides to try an unconventional treatment in the Amazon jungle of Peru and to make a film about her healing process.
Screenplay
Mila got diagnosed with tongue cancer. Instead of operation and chemotherapy she decides to try an unconventional treatment in the Amazon jungle of Peru and to make a film about her healing process.
Director
The V-A-C art foundation is transforming the former GES-2 electric power station in Moscow into a new cultural space for the capital. In 2017, before work had even begun, a festival called Geometry of Now was held inside the station. As part of the festival, Wassily Kandinsky’s painting Dramatic and Mild was shown in Russia for the first time. In order to see the painting, visitors had to enter the workers’ recreation room, which measured just 4 x 4 metres.
