Self
A documentary on the career of famed French clown and filmmaker Pierre Étaix.
Elle-même
Un público heterogéneo toma asiento en el circo, impaciente por que empiece el espectáculo. "Monsieur Loyal" da la bienvenida a todos. Acróbatas, payasos y cantantes salen para entretener al público. Sin embargo, el espectáculo acaba demasiado pronto, y dos niños pequeños se dedican a explorar detrás del escenario.
Holidaymaker (uncredited)
En un balneario de la costa atlántica, los veraneantes son incapaces de apartarse de sus rutinarias costumbres urbanas. Hasta que llega monsieur Hulot al volante de su viejo cacharro y rompe la calma estival. Para gran alegría de los niños, Hulot ofrecerá a los huéspedes del hotel unas vacaciones inolvidables.
(uncredited)
The accountant of an insurance company, rather eccentric and quick to push the song, is responsible for monitoring the actions of an alluring South American whose suicide would mean the collapse of the company. Finally, the accountant discovers an attempted insurance scam and marries the surly and charming interpreter who was the liaison between the South American and himself.
Satire of publishing circles, featuring a ferocious boss, Moscat, a successful but handsome author, Maréchal, another successful but bitter author, Bourgine, a writer plagued with ambition, Brégaillon and the hero, Marc Fournier Zola Prize winner. Naive, the latter quickly becomes formidable, especially since his wife's infidelities have provided him with the material for a new novel.
While investigating the world of Parisian tramps, journalist René Savary, himself disguised as a poor beggar, notices the strange behavior of a little boy. He follows the brat after he has sneaked out of a barge, catches up with him and takes him to his home. There, the kid tells him about himself : his name is Jean, his mother has disappeared and since then he has been left to fend for himself. Moved by the lot of the wretched boy, Savary, with the aid of his friend Pierrot, undertakes to solve the mystery.
The fictionalized life, and interpreted by himself, of the popular boxing champion Marcel Cerdan. Training sessions, matches, victories, flight to the U.S.A. where the title of world champion is disputed, form the whole subject of the film.
(uncredited)
On the morning of January 30, 1889, the Archduke Rodolphe de Habsbourg and his mistress Marie Vetsera were found dead. The remains of Rodolphe are discreetly repatriated to Hofburg, while that of Mary is hastily thrown into the depths of a tomb.
(uncredited)
Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.
