Sebastián Lingiardi

Películas

General Pico
Writer
In an area of ​​La Pampa, called Maracó, in the ancestral Mapuche designation, today is the city of General Pico. Murals of a certain town, in a certain time: its streets, cars, motorcycles, posters and some passers-by. The train as the great measure of time and myth. The work and the peronist primary elections. Plus a film festival, a movie and a class. But above all this portrait is measured by the sensitivity of nature and its charm. The street dogs, and their mysterious language, pass through the film like an antenna outside the words.
General Pico
Director
In an area of ​​La Pampa, called Maracó, in the ancestral Mapuche designation, today is the city of General Pico. Murals of a certain town, in a certain time: its streets, cars, motorcycles, posters and some passers-by. The train as the great measure of time and myth. The work and the peronist primary elections. Plus a film festival, a movie and a class. But above all this portrait is measured by the sensitivity of nature and its charm. The street dogs, and their mysterious language, pass through the film like an antenna outside the words.
La destrucción del orden vigente
Editor
Film in two cities divided by one river: Buenos Aires, Montevideo. Two cities divided by one story: the death of Francisco. One death divided in two parts: an investigation, an escape.
Sip'ohi, el lugar del manduré
Editor
Gustavo Salvatierra returns to his hometown, Sipo’hi, in the Chaqueño (the impenetrable forest in the north of Argentina), with the aim of listening and collecting stories of Wichí culture, transmitted orally from generation to generation.
Sip'ohi, el lugar del manduré
Cinematography
Gustavo Salvatierra returns to his hometown, Sipo’hi, in the Chaqueño (the impenetrable forest in the north of Argentina), with the aim of listening and collecting stories of Wichí culture, transmitted orally from generation to generation.
Sip'ohi, el lugar del manduré
Producer
Gustavo Salvatierra returns to his hometown, Sipo’hi, in the Chaqueño (the impenetrable forest in the north of Argentina), with the aim of listening and collecting stories of Wichí culture, transmitted orally from generation to generation.
Sip'ohi, el lugar del manduré
Director
Gustavo Salvatierra returns to his hometown, Sipo’hi, in the Chaqueño (the impenetrable forest in the north of Argentina), with the aim of listening and collecting stories of Wichí culture, transmitted orally from generation to generation.
Las pistas - Lanhoyij - Nmitaxanaxac
Producer
Una historia de intrigas y traiciones entre grupos caracterizados por su diversidad cultural. Indígenas norteños, tobas y wichís, y los llamados “blancos” se cruzan en una investigación que va de una clase a una revuelta popular. En el camino la comunicación es opaca, dudosa, no se deja categorizar. Pero un antiguo relato toba los conducirá a una experiencia conjunta, más allá de la división propia del pensamiento moderno entre teoría y praxis.
Las pistas - Lanhoyij - Nmitaxanaxac
Editor
Una historia de intrigas y traiciones entre grupos caracterizados por su diversidad cultural. Indígenas norteños, tobas y wichís, y los llamados “blancos” se cruzan en una investigación que va de una clase a una revuelta popular. En el camino la comunicación es opaca, dudosa, no se deja categorizar. Pero un antiguo relato toba los conducirá a una experiencia conjunta, más allá de la división propia del pensamiento moderno entre teoría y praxis.
Las pistas - Lanhoyij - Nmitaxanaxac
Director
Una historia de intrigas y traiciones entre grupos caracterizados por su diversidad cultural. Indígenas norteños, tobas y wichís, y los llamados “blancos” se cruzan en una investigación que va de una clase a una revuelta popular. En el camino la comunicación es opaca, dudosa, no se deja categorizar. Pero un antiguo relato toba los conducirá a una experiencia conjunta, más allá de la división propia del pensamiento moderno entre teoría y praxis.
El contrabajo
Editor
On the banks of the city of Buenos Aires, among the rubble that forms the coast of her ecological reserve, she listens attentively to the confession. The rest, what follows, will be mere inconveniences and questions between a corpse and a double bass, between the imperfect city and its river, which will sow doubt about the resistance of its revenge.
Seguir órdenes
Editor
A short Argentinian film
Seguir órdenes
Writer
A short Argentinian film
Seguir órdenes
Director
A short Argentinian film
Imagen Mala
Director of Photography
Imagen Mala is a film by and from the life and work of the Argentine poet Alejandro Rubio: cult poet and backbone of what is known as “Argentine poetry of the 90s”. Rubio's voice reading poems; images from television, from the National Congress, from public demonstrations, from poorly translated American films; an interview with the poet and some images beyond and here in time make up this film that makes an era present.
Imagen Mala
Script
Imagen Mala is a film by and from the life and work of the Argentine poet Alejandro Rubio: cult poet and backbone of what is known as “Argentine poetry of the 90s”. Rubio's voice reading poems; images from television, from the National Congress, from public demonstrations, from poorly translated American films; an interview with the poet and some images beyond and here in time make up this film that makes an era present.
Imagen Mala
Director
Imagen Mala is a film by and from the life and work of the Argentine poet Alejandro Rubio: cult poet and backbone of what is known as “Argentine poetry of the 90s”. Rubio's voice reading poems; images from television, from the National Congress, from public demonstrations, from poorly translated American films; an interview with the poet and some images beyond and here in time make up this film that makes an era present.