Ieva Veiverytė

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?

The camera stands in a house, the lens pointing through the window, outdoors, where the occupants of the home are standing. They respond patiently to the camera operator’s directions: a small step to the left, a little bit forward, no, back just a bit, yes, that’s perfect. Dozens of people pose in this way for a full minute. There’s a man who lives alone, a large family, an older woman on a trampoline. Some are entirely at ease, others more self-conscious. Rabbits, dogs, and cats are allowed to join these portraits, too. All of them are captured within the natural frame of the windows, along with the lace or floral curtains.

Cuando Marija se entera de que su inestable novio ha desaparecido, se lanza a las calles con el propósito de encontrarlo.

Vilnius, four hot summer days. Goda is learning anew to have a relationship while dealing with past trauma. Juste always had a safe life, planned for her by others, as she finally realizes she wants to decide for herself. After twenty years of marriage Vytas leaves his family, unable to admit his true reasons. The voice of Anatolijus joins all of these stories and experiences into one breathless state, which every character is trying to escape on their way to finding freedom in a constantly changing society that keeps on developing new standards.

Un entrenador de CrossFit se convierte en padre de una niña, Blancanieves. La madre de Blancanieves muere y su padre se casa con una mujer obsesionada con el CrossFit y consigo misma que está todo el día entrenando y haciendo sentadillas. Y es que es la mejor de su reino porque puede hacer hasta 50. Pero, un día, Blancanieves la supera. Blancanieves hace 53 sentadillas.

A blue screen informs that war has begun. What will be needed? Collect the men, find guns, or maybe someone will give them. We need a location, a country where the war would take place. No problem, the Colonel is a real pro, he has caused wars to order, or on orders, on multiple occasions in different countries. Now his followers have grown up and caused a war in his country. He doesn’t want to, but he has to fight. He is old and tired of war. He wants to be at the table with a steaming pot of tasty mutton ribs and stare at an innocent TV screen with the news on, and the dressed-up news reporter announces that the war has begun.

Marius es un abogado de gran éxito con sede en Vilnius. Se obsesiona con Ali, un apuesto refugiado sirio que conoce por primera vez en una sala de chat en línea en Belgrado. Marius es rico y disfruta de una vibrante vida social y cultural. Sin embargo, siente que le falta algo. El viaje de Lituania a Serbia es relativamente corto, pero ¿pueden los dos navegar a través del abismo que separa sus vidas tan diferentes? ¿Y cómo lidian con los obstáculos de las fronteras físicas que se interponen entre ellos?

A Lithuanian doctor, priest and a war refugee Alexander Ferdinand Bendoraitis (1919-1998) resettles to the Amazonian jungle in the 1960’s and becomes a local hero: he establishes a boat- clinic network, the first jungle radio, starts the pacification of local indigenous tribes and builds the most modern hospital in Amazonia. However, as he gets involved in a brutal crime, countless fake narratives that he had created around himself begin to resurface.

On a hot summer evening, a father and son try to make mother feel comfortable during her final hours at the hospital. The two men do everything they can to avoid admitting it is impossible to do anything more.

Elderly, bald, reserved - one of those characters in one of those Eastern European towns. Nothing too peculiar about him. But his wife becomes suspicious. Perhaps the neighbours would notice it too. Were they not permanently glued to their TV screens, they would notice the outcomes of his secret plan - a personal mission against Nature. In fact, precisely the kind of Nature advertised on TV and eco-packages. The Nature of everybody's dreams. All Is Nature is short Lithuanian arthouse fiction film with a twist of surrealism, exploring how our contemporary lifestyle may influence global environmental processes.

The friendship of a doctor Vitolis Laumakys and an engineer Adolfas Morėnas started in 1962, while fixing a broken motorcycle. That very same year they set up an amateur film studio by the name “The Amateur”. Gradually it became one of the most successful amateur film studios in Lithuania, and their second home. In five decades they created almost a hundred of short films. Although Vitolis and Adolfas are still actively working – digitalizing their film archives, “The Amateur” is facing some unpleasent changes.

Vytas is a resident of a blocked houses quarter and he is just as dull as his neighborhood. Though the young guy is over his twenties, he still lives with his parents - spending their days watching TV. Vytas' girlfriend Ona is a bit different - she is independent, knows her likes and dislikes, has some friends - one of which she starts seeing more and more often. This leaves no sunshine in Vytas life at all and makes him wander for the truth in the maze of the blocked houses quarter.