Matías Lasarte

Fermín Solana is the vocalist of the Uruguayan band "Hablan por la espalda". We accompany him on a sleepless night, going through the personal genealogy of his creative impulse, while revealing his unique portrait.

A young woman receives a phone call and a mysterious interlocutor informs her that she is going to die. They embark on a long conversation and the night passes in a desperate attempt to prolong the call, in a need to understand what is happening and in a poetic search for the last words.

A young woman receives a phone call and a mysterious interlocutor informs her that she is going to die. They embark on a long conversation and the night passes in a desperate attempt to prolong the call, in a need to understand what is happening and in a poetic search for the last words.

Christian Arias es un exitoso jugador que a los 23 años se proyecta como una gran figura del fútbol mundial. Vive aislado en un entorno lujoso y solitario, asediado por los fanáticos, presionado por la prensa y condenado a cumplir compromisos pautados por sus padres que oficia también de representante. Christian siente por primera vez la necesidad de escapar.

She wakes up slim and feeling pretty. She looks at her belly in the mirror because she knows that later it will swell. Anna lives off her image, she is in New York -the fashion mecca of the world- fulfilling her lifelong aspiration. When the lights go out, dreams and nightmares walk the same street.

ONLY NOISE is a documentary that tries to rescue from oblivion a tale with Les Renards as protagonists, one of the many bands from the 60s that was a key witness and pioneer in the first big explosion of Uruguayan Rock. It might look like a tale from an ordinary band, but in 1968 this band managed to break a world record.

Fifteen years ago, when our national soccer team entered the field for the Americas Cup final, the successful coach, the Engineer Erramuspe, never showed up. Two days later he resigned his position for "personal reasons". Since then journalists have been trying to interview him and to know about what happened but they have all failed. When everybody assumes the truth will never be known, a young reporter who was only a child when the Engineer lead the team to a World cup final, finally gets the interview....

Agustín forgets things; he is aging and he knows it. María is never alone: she watches over everyone, sleeps very little, and works too much. She’s increasingly overwhelmed. One day, on impulse, María decides to abandon Agustín.