Herbert A. E. Böhme

Bandas rivales de Chicago se trasladan a Londres, con la intención de extorsionar a los británicos ricos.

Hans llega a un pueblo cerca de Amsterdam para escribir una historia sobre el solitario escultor, Profesor Val, que vive en un viejo molino que llama "el molino de las mujeres de piedra". Hans conoce a la seductora y atractiva hija del profesor y comienza a sentir una gran pasión por ella. De a poco, comienza a darse cuenta del horrible experimento que está realizando Val, mientras las mujeres del pueblo continúan desapareciendo.

El caballero Massimo D'Arce, aborrecido por el anciano duque Ambrogio di Pallanza, se ve obligado por éste a vivir confinado en sus tierras, pero frecuenta secretamente los hijos del duque, Ciro de dieciséis años, y Bianca, doncella de veinte, de la cual está enamorado. (FILMAFFINITY)

A finales del siglo XIII, un pequeño río separa los territorios del Barón Oddo de Serra (Massimo Serato) de los del Conde Gualtiero de Roccalta (Herbert Böhme). Éste es un hombre generoso, mientras que el Barón es cruel con sus súbditos. Un día un hombre es suspendido cazando en las tierras de Conde, pero éste en lugar de condenarlo lo deja libre. El hombre empieza por lo tanto a ayudar a todos los que cruzan el río para librarse de los abusos del Barón y se gana el apodo de Capitán Fuego (Lex Garker)). El Barón para vengarse hace asesinar el Conde y para conseguir que Elena, la hija del Conde (Rosanna Rory), se case con él, acusa el Capitán Fuego. Éste con la ayuda da sus protegidos consigue demostrar su inocencia y vence al Báron. (FILMAFFINITY)

German big game hunter brings elephants back from Africa safely through enemy lines, but they go on a stampede in Berlin. Filming began during WWII in Germany, but production was stopped because story showed Third Reich police and military having problems coping with an elephant stampede; after the War, it got completed by its originator, and exported to the US with English dubbed, while removing all references to its 1940s German origins!

Nazi cinema produced numerous WW2 military epics, one of the most impressive of which is Ufa's first-rate 1941 production, Uber Alles in der Welt,directed by Karl Ritter (Stukas). Ritter customarily produced morale-building propaganda pictures, and this, his first propaganda film to deal with the war, as well as his finest effort, was one of the highest-grossing pictures of the Third Reich. Set largely in France, England, and Spain, the film chronicles the plight of Germans caught by the outbreak of war and their frantic attempts to return to the Fatherland to join the battle. All of Germany's enemies receive equal disdain. The British, the French, the Poles, and the Jews are portrayed respectively as warmongers, profiteers and cowards. In the end, all that is important is returning to Germany.

This 1936 film tells the story of the doings of foreign agents in Germany and their allies among the German population. Having placed an ad in a local paper looking for "contact with bigwigs in German industry", enemy agents Morris and Geyer end up making contact with an engineer named Brockau. Brockau has developed an improvement in turning oil into gasoline and that's just what these enemy agents are looking for. Brockau, for his part, needs money, because his girlfriend is a selfish cow who demands more and more toys and trinkets, which has put our naive little nerd deep into debt. Brockau, however, is not the only unwitting maroon to fall into the clutches of the evil agents: the former bank agent Hans Klemm, now doing his service in the Wehrmacht, ends up being contacted by an agent from the other side and ends up getting blackmailed into working for them.