Barbara Krafftówna

El personaje principal, que perdió a los que más le importaban, trata de escapar de la desesperación escondiéndose en un lugar seguro lleno de recuerdos. Con los años, una gran ciudad se forma en su imaginación. Héroes de la literatura y dibujos animados de su infancia llegan a poblarla sin ser invitados. Cuando el protagonista descubre que todos se han vuelto viejos y que la eterna juventud no existe, decide volver a la realidad.

Bozenka, a worker from a large bank, believes that only those who buy, truly live their life. And there is always not enough money! The reason for her frustration is also her husband, Stasiunek, who should be a devilish lover of the most beautiful women in the world, but in fact he is a lazy bumbler. And then one day she gets a chance…

When his grandson is beaten by gangsters, a Warsaw veteran gathers his war buddies to take them on.

A young, charismatic priest John, his time missionary in Africa, every day helping Warsaw young people addicted to drugs. Unconventional methods, which are used in pastoral work, raise many doubts about his superiors. Surprisingly, however, his life undergoes a sudden transformation when routine testing finds out that he is HIV positive.

Presenting a different approach to life, the three brothers meet at their father's funeral.

Przygoda z piosenką (Pol. Adventure with song) is a Polish film musical comedy from 1969 directed by Stanisław Bareja.

A father searches for his son, who has been missing since WW II, in post-war Poland. In his quest for the truth about his son, the father is forced to contemplate the elusive and coded nature of truth itself.

The first Polish film to discuss the failure of September 1939 Polish-German war. We can see it from the point of view of a university intellectual, fascinated by German culture, who decides to take active part in the conflict. Professor Gabriel Tomicki spends the last evening before WW2 breaks out quarreling with his university colleague Professor Dog-Lesniewski about the superiority of German over French culture. He finds German culture fascinating and believes neither in war, nor in Nazi barbarity. When the war begins, he tries to enlist and befriends Florentyna, a nightclub dancer and his neighbour. Gabriel falls in love with her, finally manages to become a soldier and even prove his courage. One day, he meets by chance his university adversary Dog-Lesniewski... —kinoholik

Durante el asedio a Zaragoza, un general francés descubre un extraño manuscrito que, al ser leído, le transporta a una España surrealista en la que los espíritus de unos bandidos ahorcados, bajo la apariencia de hermosas huríes, se dedican a seducir y atrapar en los laberintos del tiempo a todo viajero extraviado que ose adentrarse en sus dominios.

Musical directed by Kazimierz Kutz.

After a violent quarrel, Nitka leaves her husband Andrzej. He meets a young girl with whom he is getting closer and closer.

An actress travels from Warsaw to Paris and during the trip reflects on the last few years of her life. It goes back to the German occupation and her hiding of a fellow actor who has supposedly killed a collaborator.

A budding playwright is thrilled to find out that his play will be performed at a prestigious theater, but a series of problems pile up, along with the general feeling that opening night will be disastrous.

"In 1960 Kazimierz Kutz' second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time."

En Polonia, concluida la Segunda Guerra Mundial, la situación política y social es caótica. El idealismo cede el paso a diversas formas de anarquía y extremismo. El protagonista, un joven que milita en un grupo ultranacionalista, recibe el encargo de asesinar a un importante comunista; pero, cuando el joven encuentra el amor, en pocas horas sus certezas comienzan a convertirse en dudas.