Ritwik Kumar Ghatak

Ritwik Kumar Ghatak

Nacimiento : 1925-11-04, Dacca, East Bengal, British India

Muerte : 1976-02-06

Historia

Ritwik Kumar Ghatak was a Bengali filmmaker and script writer. Along with prominent contemporary Bengali filmmakers Satyajit Ray and Mrinal Sen, his cinema is primarily remembered for its meticulous depiction of social reality. Although their roles were often adversarial, they were ardent admirers of each other's work and, in doing so, the three directors charted the independent trajectory of parallel cinema, as a counterpoint to the mainstream fare of Hindi cinema in India. Ghatak received many awards in his career, including National Film Award's Rajat Kamal Award for Best Story in 1974 for his Jukti Takko Aar Gappo and Best Director's Award from Bangladesh Cine Journalist's Association for Titash Ekti Nadir Naam. The Government of India honoured him with the Padma Shri for Arts in 1970.

Perfil

Ritwik Kumar Ghatak
Ritwik Kumar Ghatak

Películas

Ramkinkar Baij
Production Design
Ramkinkar Baij is an incomplete personality study or documentary on sculptor Ramkinkar Baij created by legendary filmmaker Ritwik Ghatak. He started creating the film in 1975. The film was almost complete but it still remained unfinished for the death of Ritwik Ghatak.
Ramkinkar Baij
Screenplay
Ramkinkar Baij is an incomplete personality study or documentary on sculptor Ramkinkar Baij created by legendary filmmaker Ritwik Ghatak. He started creating the film in 1975. The film was almost complete but it still remained unfinished for the death of Ritwik Ghatak.
Ramkinkar Baij
Director
Ramkinkar Baij is an incomplete personality study or documentary on sculptor Ramkinkar Baij created by legendary filmmaker Ritwik Ghatak. He started creating the film in 1975. The film was almost complete but it still remained unfinished for the death of Ritwik Ghatak.
Ramkinkar Baij
Himself
Ramkinkar Baij is an incomplete personality study or documentary on sculptor Ramkinkar Baij created by legendary filmmaker Ritwik Ghatak. He started creating the film in 1975. The film was almost complete but it still remained unfinished for the death of Ritwik Ghatak.
Reason, Debate and a Story
Music
Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This film is considered to be Ghatak's autobiographical film.
Reason, Debate and a Story
Nilkantha Bagchi
Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This film is considered to be Ghatak's autobiographical film.
Reason, Debate and a Story
Writer
Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This film is considered to be Ghatak's autobiographical film.
Reason, Debate and a Story
Director
Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This film is considered to be Ghatak's autobiographical film.
Un río llamado Titash
Tilakchand
An in-depth look at the lives and struggles of the community of fishermen living by the river Titash.
Un río llamado Titash
Writer
An in-depth look at the lives and struggles of the community of fishermen living by the river Titash.
Un río llamado Titash
Director
An in-depth look at the lives and struggles of the community of fishermen living by the river Titash.
Where the River Padma Flows
Director
The film brings to the screen the determination of the common man of Bangladesh to stand up to tyranny and win his priceless liberty back.
My Lenin
Director
Amar Lenin is a 1970 black and white documentary film directed by film director Ritwik Ghatak made for Government of West Bengal in the centenary year (1970) of the birth of Vladimir Lenin.
Heerer Prajapati
Writer
Scientists of Tomorrow
Director
The film explains the details of the research scheme instituted by the Government of India for the benefit of young talented scientists. Under the Scheme, Government encourages students with a scientific bent of mind by awarding scholarships from the B.Sc. to Ph.D. degrees.
Subarnarekha
Writer
After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.
Subarnarekha
Music teacher
After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.
Subarnarekha
Director
After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.
Rajkanya
Screenplay
Darpa, a cunning man, asks Rajkumari to pretend to be Princess Rajkanya Chandralekha so that he can keep all her riches for himself. However, when she realises the truth, she ensures all his plans fail.
Fear
Director
FTII Diploma film for acting students of 1964-65 by Ritwik Ghatak
Fear
Music
FTII Diploma film for acting students of 1964-65 by Ritwik Ghatak
Fear
Script
FTII Diploma film for acting students of 1964-65 by Ritwik Ghatak
Fear
Story
FTII Diploma film for acting students of 1964-65 by Ritwik Ghatak
Ustad Alauddin Khan
Screenplay
Life and disciples of legendary Indian classical musician and teacher, 'Guru' of Pandit Ravishankar, 'Baba' Ustad Alauddin Khan.
Ustad Alauddin Khan
Director
Life and disciples of legendary Indian classical musician and teacher, 'Guru' of Pandit Ravishankar, 'Baba' Ustad Alauddin Khan.
Komal Gandhar
Producer
Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.
Komal Gandhar
Screenplay
Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.
Komal Gandhar
Director
Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.
Estrella nublada
Screenplay
Nita es una bonita joven que vive con su familia, refugiados del este de Pakistán, en los suburbios de Calcuta. Shankar, su hermano mayor, aspira ser cantante. Nita aplaza su matrimonio con el científico Sanat para ayudar a su familia, que necesita dinero para pagar los estudios de los hermanos más jóvenes. Cuando su padre y su hermano menor sufren un accidente, ella se convierte en el único sostén de la familia, pero la enfermedad que padece no deja de empeorar.
Estrella nublada
Director
Nita es una bonita joven que vive con su familia, refugiados del este de Pakistán, en los suburbios de Calcuta. Shankar, su hermano mayor, aspira ser cantante. Nita aplaza su matrimonio con el científico Sanat para ayudar a su familia, que necesita dinero para pagar los estudios de los hermanos más jóvenes. Cuando su padre y su hermano menor sufren un accidente, ella se convierte en el único sostén de la familia, pero la enfermedad que padece no deja de empeorar.
Madhumati
Writer
Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.
Runaway
Writer
Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.
Runaway
Director
Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.
Ajantrik
Writer
Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.
Ajantrik
Director
Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.
Musafir
Screenplay
The story is about a house consisting of three families who live in it. It is three stories linked by the house.
The Life of the Adivasis
Director
A documentary made by Ghatak observing the life of the Adivasis.
The Citizen
Screenplay
Ramu, eldest son a family of migrants, is a fresh graduate searching for a job like many others in post-partition Calcutta.
The Citizen
Director
Ramu, eldest son a family of migrants, is a fresh graduate searching for a job like many others in post-partition Calcutta.
The Uprooted
Assistant Director
After Partition, a large group of farmers from East Bengal have to migrate to Calcutta.
The Uprooted
After Partition, a large group of farmers from East Bengal have to migrate to Calcutta.