Maria João Pinho

Tiago, a tour guide with a broken heart leads Karen, a grieving and aging Brazilian woman, around a Lisbon of strange suicidal heroes. Tiago lives with his father, Raul, an old sailor haunted by historical defeats, and with his son, Manuel, a teenager fantasising of a solitary, but erotic, trip to the cosmos. All together, they take Karen through dreams, lost glories, and catastrophes to meet a fallen hero who disappeared many centuries ago on an island in the South Atlantic Ocean.

Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.

The story takes place near Lisbon, in the mid-16th century. Bela, an adopted young man, tries to find his place in a family that is free, but trapped in a world where each shadow allows imperfections to shine through.

One night on Viva FM's late night show, host Vitor Lobo gets a phone call from an old friend.

Guilherme is a boy with 13 years old that plays tennis, he has to see and deal with his nightmares and his own fears.

An adaptation of the short story with the same name by Portuguese writer Mário de Carvalho.

The story about the romance of Snu Abecassis and the former Portuguese prime minister Sá Carneiro.

This is the story of a young Mozambican footballer called Eusébio, a gifted athlete destined to great achievements, coveted by rival clubs, Sporting and Benfica, which ends up hiring him. Blackmail, kidnapping attempts, ministers involved, press hysteria and huge money offers make the story of this football transfer into a saga evolving between the two continents. It ends up when the legend begins: with Eusébio’s first match at the Benfica Stadium.

“An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho

A walk for half a century, yes, a letter perhaps. Travels in my life, I could call it, which I like Garrett so much. A traveling as he would like, a loose story, memories, projects, meetings. Also because, since 1995, I have done several portraits of artists (Palolo, Bravo, Lapa, Skapinakis, Bartolomeu, Angelo, Sena, Ana Vieira and I prepare Sofia Areal and Fernando Lemos), I started to think that this is my life, these meetings , see, hear, cut, show, tease. I want, with this film continue to show what I see. [Jorge Silva Melo]

Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old Bruno’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force Bruno to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister Érica.

While a teenage boy learns how to drive, a woman walks her elderly dog through the woods. As the evening settles she realizes that it's not too late to take action.

En compañía de su amigo cercano, Joao da Ega, supuestamente un escritor brillante, Carlos, con su existencia ociosa como un médico aristocrática, pasa su tiempo para disfrutar de los amigos y amantes. Hasta que se enamora. Ella es un personaje nuevo en esta novela revolucionaria. Es una pasión vertiginosa que va más allá de oscuridad pasado para llegar a un nuevo y más oscuro abismo, el incesto.

John Malkovich es el protagonista de la única película que captura el mito del mayor seductor de todos los tiempos, Casanova. Basada en La historia de mi vida de Giacomo Casanova, con arias de W.A. Mozart y Lorenzo da Ponte. Su historia es narrada tanto a través de la ficción como con interpretaciones teatrales que desvelan el relato de sus aventuras, pasiones y, sobre todo, su miedo a la muerte.

There is a long night when Hugo, a civil servant, is sitting on the stairs of the Ministry where he works. He can’t face going home. The images of the mysterious 8 mm films he found in António’s house after he passed away keep coming back to his mind. Hugo remembers the day when Antonio, his superior at the Ministry, told him that he was going to die. Indirectly, Antonio seemed to want to tell him something about Hugo himself. Hugo’s desire to understand what had remained unsaid between the two of them, triggers other memories from the past. Hugo unexpectedly thinks back on the last time he saw the woman he loved, Adriana, and relives once more what he feels has been his unlived life.

Salvador knew Contança and Santiago. He did not know, but admired, Laurence. Among them, Laurence knew Santiago. Constance did not know Laurence. Only Santiago knew Laurence, Constança and Salvador.

Inspired in the book with the same title by António Lobo Antunes.

La trágica historia de las numerosas vidas del padre Dinis, sus oscuros orígenes y sus piadosas obras, y los diferentes destinos de todos aquellos que, atrapados en una siniestra red de amor, odio y crimen, se cruzan con él a través de años de aventuras y desgracias en la convulsa Europa de finales del siglo XVIII y principios del XIX.

The world of Arthur suddenly was taken by assault by two strangers. Incapable to recognize the two figures presented in front of him, Arthur is trapped in his own chair. A delicate situation, where the intensity increases gradually to it's boiling point.

Adaptation of a 1987 novel by Agustina Bessa Luis, a multi-generation exploration of a wealthy family with a mysterious past and a house on the island of Madeira.