Gergely Pohárnok

Roma, años 70. Clara y Felice acaban de mudarse a un piso nuevo. Su matrimonio está acabado: ya no se aman, pero son incapaces de separarse. Lo único que los mantiene unidos son sus hijos, en los que Clara vuelca su deseo de libertad. Adriana, la mayor, acaba de cumplir 12 años y presencia muy de cerca los estados de ánimo de Clara y las tensiones cada vez mayores entre sus padres. Adriana rechaza su nombre y su identidad, quiere convencer a todo el mundo de que es un chico, y su obstinación hace que el ya frágil equilibrio familiar alcance un punto de ruptura. Mientras los niños esperan una señal que los guíe, todo cambia a su alrededor y en su interior.

El final de la civilización ha llegado. Un padre y su hijo se encuentran entre los supervivientes. El hijo es criado como un niño salvaje, pues su padre considera que es la única forma de sobrevivir. Cuando el padre muere, el hijo decide emprender un viaje a lo largo del río, en busca de alguien que pueda leer el diario que su padre escribió a lo largo de su vida.

Lena is seven months pregnant and she's ready to sell the baby in her belly. Ermanno agrees to pretend to be the father. Fabio, the uncle of Ermanno, will pay them to buy the child that he and his wife Bianca cannot have. A fake adoption between relatives, a loophole to bypass the law in Italy. A world in which money is the only standard of value, the only thing that matters. Ermanno and Lena are two strangers that must pretend in public to be a couple and live together until the delivery. They are used to only thinking about themselves and they fight all the time. But living side by side they start becoming what they were only pretending to be.

A Hungarian journalist who is about to start a family journeys to the United States in the hopes of finding his own father, a scientist who went missing in the 1970s while working on a top secret military research project that examined 'voices' from outer space.

Matteo es un joven emprendedor con tanto éxito como tan pocos prejuicios, fascinante y dinámico. Su hermano Ettore todavía vive como profesor de escuela en el pueblo en que ambos nacieron. Es un hombre cauto e íntegro que se esfuerza por no cometer errores dando siempre un paso atrás, hacia la sombra. Todo lo que separan dos personalidades aparentemente opuestas habrá de superarse a raíz de una difícil situación que aproximará a los dos hermanos, obligándolos a conocerse y descubrir el vínculo que los une, en un vórtice de fragilidad y ternura, miedo y euforia.

OUT is an odyssey about 50 year old family man Agoston wandering through East Europe. After loosing his lifelong job in a power plant of small Slovak village Agoston takes the shady but alluring opportunity to work as a welder in a shipyard in Latvia. The journey in hopes of a new job in reality turns into a accelerating whirlwind of absurd events of short encounters, newly found-and-lost-again friendships subtracting from Agoston all his possessions and everything he once believed to be his whole life. However Agoston doesn't give up his search for income and decides to persuade his dream of catching a big sea fish.

Two Hookers and a Bitch is an experimental comedy following the three prostitutes Fanny, Lea and Henry over the course of three nights on their street as we watch them discuss love, marriage, sex, men and women and the prospects of a stable prosperous future.

Maggie es una madre soltera que viaja a través de Italia con su rebelde hija Summer, una adolescente que sólo desea volver a Nueva York desesperadamente.

Fausto y Nadine se reúnen por primera vez en los pasillos de un gran hotel en París, descubriéndose frágiles, solos y obsesionados con una idea de la felicidad que parece inalcanzable. Fausto es italiano, pero vive, o más bien sobrevive, en París, con la esperanza de que algún día la vida le ofrecerá algo mejor que trabajar como camarero. Nadine es una joven francesa de conmovedora belleza. Después de reunirse, perderán, se amarán y sufrirán.

An old woman flies past six floors after jumping from the roof of her apartment block. Six stories on the poor state of humanity, told with humour and rare imagination to the accompaniment of a pulsating soundtrack from Amon Tobin. A woeful burlesque set in the present by one of Europe’s most original contemporary filmmakers.

A heavily neurotic young man starts to see his father's ghost, and while he helps the spirit cross to the otherworld, something happens that they could never achieve in their common life: they finally understand each other.

Larger-than-life characters populate director Nejib Belkadhi’s spellbinding combination of film noir and magic realism, which follows a downtrodden orphan — now grown but still saddled with a cruel nickname — who has a reversal of fortune and takes on the thugs who control his ghetto.

A young Hungarian woman (played by Hungarian actress Orsi Tóth) wakes up inside a crashed car in the middle of nowhere, not knowing where her brother Isti is. Upset and alone, she leaves aboard a cargo ship to keep a promise she made to him. Once at sea, she withdraws into a dream world and loses grip on her life completely.

Rosario Russo, de origen italiano, está perfectamente integrado en su nuevo hogar cerca de Frankfurt, donde dirige un restaurante y un hotel. Pasa desapercibido porque ha cambiado de identidad y habla un perfecto alemán, pero, con todo, su pasado no desaparece. Un día, su hijo Diego, olvidado y prófugo, aparece en la puerta de casa, y su pasado, de repente, vuelve a perseguirle. Ahora la ordenada y próspera vida de Rosario se precipita con memorias del pasado que resurgen y le envuelven.

Two men one food

Historia de tres generaciones de una familia establecida por casualidad en Europa del Este. La del abuelo, un hombre algo torpe que se convierte en capitán durante la segunda Guerra Mundial; la del padre, un deportista de alto nivel; y finalmente la del hijo, un taxidermista. Las tres contadas por el miembro más joven de la familia. El surrealismo y los hechos históricos se mezclan en su imaginación, creando así una especie de "cuento de hadas realista".

Four men posing as chimney-sweepers are looking for the answer in a goat's stomach after a disastrous afternoon- and they find it!

Magyar vándor is a 2004 Hungarian action comedy film directed by Gábor Herendi and starring Károly Gesztesi, János Gyuriska and Gyula Bodrogi

The story setup in the late Communist era. Two school boys are best friends. One's Father is a mighty communist party secretary, the other is an anti-communist rebel.

Using almost no dialogue, the film follows a number of residents (both human and animal) of a small rural community in Hungary – an old man with hiccups, a shepherdess and her sheep, an old woman who may or may not be up to no good, some folk-singers at a wedding, etc. While most of the film is a series of vignettes, there is a sinister and often barely perceptible subplot involving murder.

Feri returns home after a long stay abroad. He can’t even remember how long he has been away, and he has forgotten all his past, his family, his childhood. The reason for his amnesia is his strange addiction: his dependence on sugar.

Feri returns home after a long stay abroad. He can’t even remember how long he has been away, and he has forgotten all his past, his family, his childhood. The reason for his amnesia is his strange addiction: his dependence on sugar.

Feri returns home after a long stay abroad. He can’t even remember how long he has been away, and he has forgotten all his past, his family, his childhood. The reason for his amnesia is his strange addiction: his dependence on sugar.

A pirate radio, the girl next door, and a test of friendship.

14 year old Orsi Szentesi gets into art school. Her white-collar parents rarely see her. Orsi and her ten year old brother visit a wealthy countryside family during the summer break. She uses her art to keep a distance from everyone else, painting landscapes even as she's falling in love for the first time.