François Léveillée

Christmas 1967, when hockey was played on outdoor rinks. The Boys form the parish's second team and are guaranteed participation in the Holiday Tournament as they are the hosts. Despite limited talent, they dream of victory. Off the ice, they will have to deal with all kinds of moments that one experiences at that age; some funny and some difficult. Together, however, they will face them. Together, they will try to grow, because this is how they have chosen to live: Together.

Michel Beaulieu can't catch a break. He just lost his job as car courier after an encounter with a difficult client, his wife Lucy decided to take break from him and she threatened to take his visitation rights to their daughter away. In desperation, Michael agrees to fulfill the mission of a shady loan shark by kidnapping a gambler who owes him a large sum. Turns the man is the arrogant businessman because of whom he lost his job.

A depressed rock star, maimed in an accident, is encouraged by his manager to start a new worldwide trend.

Deliberately Felliniesque, this surreal and uneven Canadian satire from iconoclastic French Canadian director Gilles Carle offers an episodic look into an anarchistic, metaphorical world filled with a bizarre assortment of weirdos, wackos and misanthropes. The story roughly centers on the adventures of Yo-Yo, a young woman who is first seen acting as a high priestess for a ceremony involving the miraculous healing powers of the little boy Alphonse.

In this Canadian made oddball mix of music and drama, an actress (Carole Laure) in a traveling musical revue is involved with the show's director until she meets and falls for an aging ecological activist. He too is drawn to her, and together they try to stop a factory from being built over an old-growth forest.