Struggling with AIDS, Aimée comes out of the hospital. Her friend Francine leads her to the Maison Bleue for her convalescence. But Aimee's state of health does not improve: she falls into mental confusion and must stay at the Blue House until her death.
Police detective Jacques Laniel's life becomes a nightmare the day drive-by shootists gun down his partner Thomas Colin. His colleagues make matters worse by blaming him for the death, and after his wife leaves him, Laniel decides to quit the force and launch a private investigation into Colin's murder. Soon afterward, Laniel finds the bullet-riddled body of famed author and literature professor Zachary Osborne tied to his car hood. The professor's wife hires Laniel to solve the murder, but what the detective finds is ugly: Osborne was a part of a lucrative land-speculation deal that involved the sale of a crumbling old rectory that had been turned into a halfway house called the Haven of the Monsters. The name is apt, for all the residents are convicted killers who were given inordinately light sentences. When Lanier starts questioning the Haven's tenants and their crimes are revealed via flashback, it takes on the character of a David Lynch production.
En Montreal, un joven artista acepta la propuesta de un sacerdote para representar la Pasión de Cristo en los jardines de la parroquia, interpretando él mismo el papel de Jesús. No tardan en darse lugar las desavenencias entre el equipo artístico y la comunidad parroquial.
Invierno de 1941. Francia está partida en dos. En el norte, la zona ocupada. En el sur, la Francia libre. Justo en la línea que separa las dos Francias, hay un pequeño pueblo. Un día, un miembro de la Resistencia es lanzado en paracaídas, pero cae abatido. Es encontrado por aldeanos del pueblo, que lo ocultan en el hospital. Poco a poco el pueblo entero se irá movilizando. El Conde de Danville, que hasta entonces había rechazado oponer resistencia a los ocupantes, se dará cuenta de que su deber será sacrificarse para facilitar la evasión a zona libre del militar de la "Résistance".
This short film for kids offers a lesson in proportions in which simple actions achieve surprising results. A man wants a door in a wall. He draws a rectangle and, presto! There is an opening. In the same way, he conjures up furniture. If too high or too low, the raising or lowering of a finger puts everything right.
This short, silent film captures a Sunday afternoon at a community skating rink. Iconic Quebec director Gilles Carle has the camera follow toddlers learning to skate, young girls flashing their skates and boys decked out in the colours of their favourite hockey teams. A picture perfect moment on a bright winter's day.
