Bill Wong Chung-Piu

A mother/daughter relationship is thrown off balance when the mother discovers that her "good girl" daughter is part of a group who are engaging in sexual activities with multiple partners that results in an outbreak of sexually transmitted diseases.

Las cosas no van bien para los vecinos de Excepcional Vista: desde que la fábrica del pueblo cerró, casi todos sus habitantes se han marchado. Y los que se quedan van a servir de alimento a unos voraces alienígenas.

Jack, un experto en armas y tácticas, ejerce como guardaespaldas y lleva una vida más o menos estable, hasta que recibe la visita de una encantadora niña, llamada Casey. Su padre, un antiguo amigo de Jack, ha muerto en un accidente junto a su esposa y a él le toca ahora hacerse cargo de su hija. Paralelamente, Jack debe encargarse de proteger a una famosa modelo, amenazada por un psicópata.

Mogura, a shut-in former musician, falls in love with a young cellist after seeing her photo in a magazine.

Where is the end of the world? A rich girl diagnosed with leukemia wants to follow a sailor friend to St Kilda, Scotland to find out. but first she must search him out, who is missing.

The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.

Ryuichi Okagawa, a Japanese writer who worked as a reporter in China has been sick ever since his return home. While in China, Okagawa had met a devoutly religious girl named Jin-hua. Okagawa was born with a predisposition to agonizing recurrent migraines, but found happiness with Jin-hua and married her. Unfortunately, he already had a wife in Japan, and this revelation crushed Jin-hua. When Okagawa returned home, leaving Jin-hua behind, she was forced to work as a prostitute, catching both a severe case of the flu and a rather less socially acceptable condition. Meanwhile, Okagawa's guilt has torn him apart enough for him to return to China in an attempt to bring Jin-hua home with him to get medical attention, but the girl is already too far gone for his help.

Durante el reinado de la dinastía Yuen, algunas sectas se enfrentan por la posesión de las dos espadas de oro que contienen el secreto para dominar el mundo de las artes marciales.

The plot includes the plight of two women who both find themselves betrayed by the men they love. It's a violent female 'buddy' movie, with two mismatched heroines, a policewoman and a drug addicted prostitute joining forces to seek revenge.

Softcore star Veronica Yip Yuk-hing stars in this mainstream romantic melodrama, directed by Tony Au, as Hiu-tung, a naïve young wife who is forced to raise her child alone after her gangster husband skips town for Taiwan. Her next-door neighbor is Ching-man (Tony Leung Kar-fai), a cop still coming to terms with his partner's sudden, inexplicable suicide. Inevitably, the two begin to find solace in each other's company -- Ching-man even acting as a sort of surrogate father for her son -- and soon in each other's arms. Just as true love seems about to bloom, Hiu-tung's thuggish husband returns.

Tom Chan, Dick Ching and his older cousin Hairy Mo live in the same tenement building but each of their love life is different.

A Hong Kong family illegally emmigrate to the United States. The father eventually goes back to Hong Kong to raise more money but the wife and child stay behind. Several years have passed and the father legally comes back to be with his wife and child. Has his greatest fears been realized and his wife and child have been americanized?

La acción se desarrolla a finales del siglo XIX, cuando China comenzaba a recibir la influencia del mundo occidental. El orden tradicional, su cultura, religión e incluso moda, se veían amenazados y las armas de fuego cuestionaban la omnipotencia de las artes marciales. Los abusos del nuevo comandante de la región que, cegado por el poder y su lucrativa relación con los comerciantes extranjeros, permite que sus súbditos paguen precios exagerados con la falsa promesa de embarcar hacia los ricos campos de oro de América, obligan a Wong Fei Hung y a su pequeño grupo de seguidores a intervenir en defensa de su pueblo y, especialmente de la mujer de sus sueños, que ha sido capturada y embarcada a la fuerza en un barco para ser vendida como prostituta...

A story of a girl haunted by the ghost of her mother, after witnessing her murder.

La continuación de Mabel Cheung a An Autumn's Tale es una comedia agridulce sobre las alegrías y las penas de un regreso a casa.

Three Chinese women with vastly different backgrounds get acquainted and become friends amid the social desolation of New York.

Cindy, an American FBI agent, travels to Hong Kong to investigate a newspaper editor, Ronny Dak, who is suspected of printing counterfeit money using the newspaper’s presses. The American teams up with a rival reporter and her friend Yu, an undercover law enforcer. Cindy’s investigation takes a sharp turn, however, when Yu’s father, the prosecuting lawyer in the counterfeiting case, is kidnapped.

Before the Big Ban on prostitution, West Hong Kong is famous for its houses of pleasure. The most infamous of them all is Floral Ode House. Among its girls are Yen Hung, who becomes a widow regularly; aristocratic Chien Chien; Cherry Fun, who manages to lose the nickname; and a bevy of beauties. The madam who is on good terms with the police chief claims the best business this side of virtue. Then there comes from England Cheng Li-Peng, commissioned to ban prostitution. He is engaged to Lily, the police chief's daughter. But his parents had arranged a wife for him when he was an infant. They have lost trace of each other. Cheng Li-Peng starts his investigation, which lead him to Yen Hung's and Chien Chien's bedrooms. He is surprised to find himself in love with all three girls. And one of them turns out to be his missing fiancee!

Princess Fragrance is a 1987 Hong Kong film based on Louis Cha's novel The Book and the Sword. The film is a sequel to The Romance of Book and Sword, which was released earlier in the same month and was also directed by Ann Hui.

Princess Fragrance is a 1987 Hong Kong film based on Louis Cha's novel The Book and the Sword. The film is a sequel to The Romance of Book and Sword, which was released earlier in the same month and was also directed by Ann Hui.

The story is based on the popular novel developed from folk legend. It goes that the Manchurian emperor Qianlong of China (circa 18th Century) was actually the son of a Han Chinese, the subject ethnicity. His brother of blood, Chen Jialuo just happened to be the chief of the Red Flower Society, an anti-Manchu secret society. Chen, a learned scholar, thought he could get his brother turn his back on the Manchu and restore the Han Chinese reign. But the story was ended by brutal clearence of the society members. It reflects one of the dark pages in Chinese culture, that ethics and humanity always become impotent when countered with power.

The ghost of a courtesan who died in 1934 returns to Hong Kong fifty-three years later, seeking to reunite with the man she loved.

Chow Yun-Fat and Brigitte Lin have their incredible talents used to the hilt in this romantic mystery about a pair of tragic lovers from 2100 years before now reincarnated in modern Hong Kong.

Trás el asesinato de un diplomático británico, un microfilm con importante información va a parar a manos de una panda de ladronzuelos. Inmediatamente la triada intentará hacerse con él mientras que las inspectoras Ng y Carrie Morris (Michelle Yeoh y Cynthia Rothrock) tratarán de evitar que la triada lo consiga y poder así meter a su lider entre rejas.

Liang Pao-erh joins the carefree “Spinsters’ Club” when she discovers her husband is having an affair. Despite the seemingly happy front that her “sisters” put on, underneath it all each of them secretly yearns for a man in their lives. When her repentant husband begs forgiveness, Liang is forced to decide on what she truly wants.

This is the US Release Version of Zu: Warriors From The Magic Mountain. Features additional footage extending the backstories of the main protagonists, and a simpler story line with the deletion of other footage.

The beautiful Cherie Chung plays the title character, an exercise teacher who is wooed by a rich, older businessman and a young photographer. You watch Cherie as she bounces between these two, not really liking the businessman, while the photographer is more in love with her image as his model than as a true love.

In 1937 Shanghai, a soon-to-depart soldier meets a young woman under a bridge during a Japanese air raid. They vow to meet after the war ends, but they don't know each other's name or face. Ten years later, the young woman, a nightclub singer, takes in a naive girl fresh from the country. The country girl falls in love with the would-be song-writer upstairs who, unbeknownst to the singer, is none other than the soldier from the bridge.

China, siglo V. Un soldado chino (Yuen Biao), que lucha en una guerra civil, huye del conflicto junto con un soldado enemigo (Sammo Hung) hacia la mítica montaña Zu, donde se une como discípulo a un mágico espadachín (Adam Cheng) cuya misión es la de encontrar las legendarias "espadas gemelas", las únicas armas que son capaces de destruir a un ser demoníaco que busca ingresar al mundo de los seres humanos proveniente del más allá. Momentáneamente un anciano con largas pestañas (Sammo Hung) contiene al espíritu maligno, pero el espadachín es envenenado y su única esperanza son las artes curativas de la bella Condesa (Brigitte Lin).

Four carefree lovers in Hong Kong enjoy their youth while danger looms on the edges.

Li Mak-Jan is a swordsman who has wandered for a number of years searching for the reclusive master swordsman Hua. After encountering two fellow swordsmen, Li comes across his old love, who tells him that not only has their town fallen on hard times (the temple is in ruins) but, worst of all, in the time he has been away she has moved on and married another man. Turns out, her husband is quite evil, of course, and just a little bit insanely jealous as well as very interested in swords, particularly those belonging to masters. The husband sends his henchman to kill Li, but Li escapes.

Li Mak-Jan is a swordsman who has wandered for a number of years searching for the reclusive master swordsman Hua. After encountering two fellow swordsmen, Li comes across his old love, who tells him that not only has their town fallen on hard times (the temple is in ruins) but, worst of all, in the time he has been away she has moved on and married another man. Turns out, her husband is quite evil, of course, and just a little bit insanely jealous as well as very interested in swords, particularly those belonging to masters. The husband sends his henchman to kill Li, but Li escapes.