Mieko Kondō

Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926).

Nishina Saburouta is powerful but corrupted priest. One night, an old samurai who couldn't bear him any more, attempts to kill him, but without success. Saburouta is rescued by his niece, Keisuke at the last moment. Keisuke is a a good-for-nothing. Since that event, he always turns to his uncle when he needs money. Recently Keisuke feels his uncle isn't as generous as he used to be, he suspects that Saburouta has found out the illicit relation between Keisuke and his uncle's young mistress, Ohasu.

Tercera de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu y la primera realizada en color de toda la saga. En esta tercera entrega, Zatoichi es perseguido por varios enemigos que buscan cobrarse su vida. Mientras tanto se reencuentra con su maestro, Banno, pero todo se complica cuando la hermana de Banno y Zatoichi se enamoran.

El presidente de la compañía alimenticia Fujiyama Foods ha sido asesinado en su domicilio pero el motivo no es nada esclarecedor. El investigador Akira Kido deberá desentrañar la verdad, sin embargo se cruzará cada vez con más sospechosos que se acusan entre ellos y una complicada conspiración.

Un hombre honesto se une a los Shinsengumi por respeto a su líder y porque quiere vivir y morir como un samurai. Sin embargo, a medida que su participación en el grupo aumenta, la realidad y el idealismo entran en conflicto mortal.

Podríamos quejarnos de que Kenji Misumi repite desarrollo en la segunda y la tercera parte de “Satan´s Sword”. Sin embargo es una cuestión solo apreciable desde el punto de vista de aquel que lee la sinopsis. En lo que respecta a la película, cada una de ellas se ve respaldada por elementos secundarios que la diferencian completamente de las otras. Precisamente es el hecho de repetición argumental centrada en la persecución de Hyoma buscando venganza, lo que hace que se debilite ese deseo. Él mismo comienza a tomárselo como una costumbre, llegando a olvidar incluso por qué lo hace. Su lucha interna solo se decidirá al llegar el final del film.

Fascinated with women from an early age, Yonosuke had his first sexual encounter at the age of seven. From that day on, he recklessly and forwardly pursues women, feeding his fascination and experience. As Yonosuke's salacious behavior brings much cause for shame to the family, his father eventually breaks relations with him. Expelled from the family, 19-year-old Yonosuke embarks on a pilgrimage of lust, traveling far and wide to acquaint himself with women of all walks.

El asesino Tsuke Ryunosuke conoce a una mujer que se parece a su esposa asesinada Hama, y ​​juntos tratar de evitar la venganza que buscan su hermano menor, Utsuki Hyoma de los Shinsengumi. Muchas figuras históricas se encuentran en esta película y supuestamente el carácter de Ryunosuke se basó en una persona de la vida real. Esta es la segunda de la trilogía.

Set in the middle of the Edo period (1603-1867), this tragic love story takes its cue from a celebrated historical case tried by magistrate Tadasuke Ooka, whose shrewd legal decisions became the stuff of legend. Okuma Shirokoya, the daughter of a lumber merchant in Edo (today’s Tokyo), embarked on an affair and was executed after conspiring with her maid to murder her husband. (Source: https://festival.ilcinemaritrovato.it/en/proiezione/shirokoya-komako/)

This is the story of a blind masseur who tricks people, steals, and kills; he is the anti-Zatoichi

The exciting story of Jirocho and his yakuza gang that controlled the area of the Tokaido during the latter days of the samurai era. Awesome fighting from Katsu Shintaro as One-Eyed Ishimatsu highlights this great tale taken from Japanese history!

Once upon a time, Okuro (Ayako Wakao), a young female racoon, lived poorly with her drunken father. One day after they disguised themselves as parasols, they were wrongly brought to the Racoon Palace, where the young racoon princess (also Ayako Wakao) made a mess of her arranged marriage with the beautiful racoon prince (Raizô Ichikawa). Pretty princess ran away. In order not to spoil the promising marriage, people tried to make use of resemblances between Okuro and the princess. Before long, Okuro and the Prince fell in love with each other...

In one of Japan's most frequently-told ghost stories, a murdered wife returns in an act of vengeance.

Legendary yakuza Shimizu Jirocho and his 28 henchmen travel the unruly path from a 'Fire Festival' in Akiba to a decisive battle by the Fujigawa.

The film won 1959 Blue Ribbon Awards for best actor Raizo Ichikawa and for best cinematography Kazuo Miyagawa. The film also won 1959 Kinema Junpo Award for best actor Raizo Ichikawa.

Utaji heard that her ex-lover Seijirou would get married to Ochiyo a daughter of Ise-ya. She murdered Ochiyo and took over the Ise-ya's shop with Hikoroku a head clerk of Ise-ya. Moreover Utaji killed Hikoroku. But...

A beautiful girl who seeks revenge, disguises herself by dressing up in men's clothes, geisha, etc. A young swordsman helps her uncover the plot and take revenge.

When a nobleman finds a woman to be an obstacle to his growing political influence, he kills her and her cat and has their bodies immured in a wall. Shortly afterwards, a catlike demon begins to haunt the castle.

Suzunosuke faces perhaps his wildest foes. This evil gang is lead by a one-eyed birdman and other demonic creatures.

The picture tells of a tremendous conflict between ju-jitsu, an aggressive art practiced by vicious hoodlums led by Takamatsu, and judo, which is used only for self-defense and championed by Sugawara. All of which, comes to a mighty match between Sugawara and Takamatsu. It's loaded with dynamite, so to speak, and lasts five minutes on the screen, Sugawara, wins. Takamatsu, a poor loser, and his four ju-jitsu hoodlum companions later ambush Sugawara in the woods. This turns out to be a mortal combat. You'd like to learn the outcome, wouldn't you?

A traditional bar mistress in Kyoto clashes with her Tokyo rival.

Early film directed by Kenji Misumi.

An exciting film about thugs, in which murders and drugs, justice and resentment explode in the dark city of Tokyo with the help of guns and violence.