Jat Later I Ditt Kök (2019)

第25話「Air」 全ての使徒を倒したNERVに対し、サードインパクト発動を目論むゼーレが戦略自衛隊を使った武力占拠を開始する。施設が次々と破壊・占拠されていく中、シンジは戦自隊員に発見され殺されそうになるが、生きる意思を失くしていたシンジは抵抗すらしなかった。それをミサトが寸前で救出するが、移動中に銃撃に遭って負傷し、シンジにEVAで戦うよう言い残して命を落とす。 第26話 「まごころを、君に」シンジを乗せたEVA初号機を依代としてサードインパクトが始まる。これによって人類は個体の生命体としての姿を保てなくなり液化して崩れていき、その魂は「黒き月」に集められる。初号機はレイやカヲルの姿をとる巨人（第2使徒リリス）に取り込まれ、シンジはレイとカヲルに再会する。そこでシンジは人類が単体の生命となることを望まず、それぞれの個人がいる従来の世界を望みリリスは首から血を噴き出しながら倒れ崩れ落ちていく。

A head chef balances multiple personal and professional crises at a popular restaurant in London.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers. Back in the present, he escapes and rejoins his surviving and armless mother.

Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

Two co-workers, one a vain woman and the other an awkward teenager, share an increasingly bizarre relationship after becoming roommates.

The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.

万引き常習犯の祖母、戦争犯罪人の父、ウサギを偏愛する妹。駄目な家庭に育ち、いつも家出を考えている“私”と恵まれた環境に身を置く“彼”。行き場のない鬱屈とした情熱を持て余した“私”は奇妙な人々と出会い、幻想と回想の入り混じった街を放浪する。

What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.

A cowherd with a skull-mounted motorcycle and a university student meet in Dakar; put off by life in Senegal, they plan to make money in Paris.

What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision WR: Mysteries of the Organism begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.

A woman lies on the sand, left there by the tides and waves (and in a pose that would be copied in From Here to Eternity). She reaches up across tree roots and makes a difficult climb. Only to discover herself climbing horizontally along a long dinner table as bourgeoise black-tie guests chat and drink and smoke, oblivious to her. At the top of the table, a man is playing chess but abandons the game. Fascinated, she gazes at board, the pieces moving unaided. The woman chases a pawn as it falls to the floor. Falls down a waterfall. Is lost.

A train speeds through the country on its way to Berlin, then gradually slows down as it pulls into the station. It is very early in the morning, about 5:00 AM, and the great city is mostly quiet. But before long there are some signs of activity, and a few early risers are to be seen on the streets. Soon the new day is well underway. It's just a typical day in Berlin, but a day full of life and energy.

Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.

A gang of outlaw bikers pull a home invasion on a disgraced Anthropologist hiding a secret locked in his cabin basement.

Luz, a young cabdriver, drags herself into the brightly lit entrance of a run-down police station. A demonic entity follows her, determined to finally be close to the woman it loves.

A group of French students are drawn into the psychological and sexual games of a mysterious Dutchman. Once they sample his "fear powder" the students experience a series of hallucinations.

A serial killer stalks a woman he befriended after her car broke down.

Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.

While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Ainar the lonely, his friend Gunnar, and the angelic Snjofrieder in a Gimli of old.