In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operations Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged.
ミネソタ州の小さな町にある本屋で、飼い主リンダと仲良く暮らすインコのブルー。読書家で人間顔負けの博識ぶりを誇る彼だが、屋内で育ったために飛び方を知らずにいた。そんな中、リンダのもとをブラジルの鳥類学者チュリオが訪問し、ブルーが絶滅危惧種のアオコンゴウインコだと告げる。絶滅回避のためにリオデジャネイロの研究施設へ来てほしいという頼みを受け、ブラジルへと向かうリンダとブルー。施設で出会った同じ種のジュエルに心ときめくブルーだが、施設に侵入した何者かによってジュエルと共に密売団へと引き渡される。
After another spat with her kids, Dona Hermínia decides to take some time off from them and hides away in her aunt's house, where she reminisces about her kids in an age when they still needed her.
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
Somewhere in the Brazilian seaside, teenagers Lucas and Martin fall in love while investigating the disappearance of a local kid. But their blossoming romance is threatened by sinister forces lurking beneath that idyllic summery landscape.
Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers, such as the woman who gets transformed into a gorilla. He gets involved with Linaura, a sexy and beautiful woman who happens to be the wife of the most frightening hitman of the place. The hitman finds out his wife's affair and goes after Leléu, who has to leave in a hurry. In another town, he meets and falls instantly in love with Lisbela, who is engaged to Douglas, a hillbilly who tries hard to pass for a cosmopolitan Rio de Janeiro dweller.
This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.
A Gothic Horror retelling of "Sleeping Beauty", in which Frankenstein's hunchbacked assistant falls in love with his master's latest monstrous creation, and tries to bring it to life through a true love's kiss.
The documentary Migliaccio - O Brasileiro em Cena follows the path of those who take risks for the art, either as directors, as writers, as scenographers and even as costume designers. The Oscarito trophy received by Flávio Migliaccio in 2014 Gramado Film Festival crowns a career enmeshed by many threads. Since Migliaccio has performed in different fields of art - from cinema and theater to literature and drawing -, the documentary creates varied visual interventions to enchain the narrative, in addition to the interviews and archive pictures, such as a shadow play to represent his humble childhood, and to the cartoons the artist drew to portray his existential questions in his ranch in Rio Bonito (State of Rio de Janeiro). Images and stories that aim to show a professional and personal life pervaded by possibilities and attitudes, both artistic and political.
In 1946, in Soror city, three different stories intersect amid macabre events. While detectives Thomas and Carlos work in the unsolved cases of the mysterious body found in a tree and Serena Caires disappearance, those three stories get together suggesting the motivations of those respective crimes.
Movie posters are creations aimed at the dissemination of audiovisual pieces. When appreciated together, they can be understood from other elements. This film proposes to explore narratives about the feminine, told by posters, throughout Brazilian cinema.
