How Tasty Was My Little Frenchman (1971)

Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.

A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.

Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.

In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.

A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

Brazil, 1594. The Tupinambás natives are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman is captured by the Tupinambás, and in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe.

A retrospective on the life and work of Portuguese director António-Pedro Vasconcelos.

Feature documentary about ex-maverick filmmaker António de Macedo.

Somewhere in Rio Grande do Norte's countryside, Brazil, the wealthy farmer Elói Dantas (Álvaro Guimarães) decides to increase his patrimony even further by exploiting ores. To do this, he tries to appropriate the small site of Antônio Vaqueiro (José Marinho). Desperate, Antônio rushes to the aid of the gypsy healer Maria dos Remédios (Luiza Maranhão) and the poet and dreamer Tião Poeta (Lenicio Queirogo) to face the greed of Elói.

Men work in a quarry on the edge of a hill where a slum is located, of which they are residents. The slope is blown up, advancing to the land near the shacks. Slum dwellers are warned that new explosions can cause damage. The community decides to place itself on the slope, preventing another explosion; without attitude, the foreman gives up on blowing up the hill.

Gabriel decides to go back to his home town. In the way, he meets "El Signo del Caos".

Geeky 14-year old Ethan is left to babysit his younger sister, Jane, with his best friend Benny but after Ethan inadvertently puts Jane in harm's way, his parents hire a professional babysitter, the beautiful yet mysterious 17-year-old Sarah who, unbeknownst to them, is actually a fledgling vampire.

After a brush with the law, Maria has returned to her gritty Bronx roots to rebuild her life with nothing but a talent for street dance and a burning ambition to prove herself.

ジョニー・デップの初主演作で出世作となった同名テレビシリーズを映画化。監督はフィル・ロードとクリストファー・ミラー、脚本はマイケル・バコール。主演は「マネーボール」のジョナ・ヒルと「G.I.ジョー」のチャニング・テイタム。全米で1億ドルを超える興行収入をたたき出し大ヒットとなった。

Javier se ha casado con María, el amor de su vida, y ahora lo único que desea es estar feliz con ella el resto de su vida, pero el destino se la quita poco después de la boda. Ahora Javier está enredado en sus emociones: ¿cómo aceptará la muerte de su mujer para encontrar nuevamente el amor?

The story takes place in northern Italy in the 1950's. Lola and Masetto are about to get married. Masetto wants to keep Lola as a virgin until they are married. But Lola is impatient to remain in chastity until the wedding night. She wants to be sure that Masetto is a good lover, before she commits herself into marriage. She does everything to trick Masetto into breaking the moral tradition.

仕事も恋愛もうまくいかない30代の女性が、妻子のいる元恋人と復縁しようと大騒動を繰り広げる人間ドラマ。『JUNO/ジュノ』の監督・脚本コンビ、ジェイソン・ライトマンとディアブロ・コディが再びタッグを組み、「真の幸せとは何か」というテーマを辛らつな笑いと共に描き出す。大人に成り切れずイタい言動を繰り広げるヒロインを、オスカー女優シャーリーズ・セロンが熱演。共演には『インシディアス』のパトリック・ウィルソン、『スパイダーマン』シリーズのJ・K・シモンズら実力派が名を連ねる。