箱 (2003)
ジャンル : ドラマ
上映時間 : 1時間 8分
演出 : Kanji Nakajima
脚本 : Kanji Nakajima
シノプシス
A withering craftsman caters to the requests of iron ore. He breathes life into them as he listens to their wishes. His most prominent creation, a traveling box, wanders the landscape, following railroad tracks, collecting the memories of people. In this harsh world, life is dwindling and the craftsman designs machines to assist life, even that of a tree. The craftsman is more than a creator as he helps maintain the machines. As his life dwindles, so do the lives of these machines.
A man yearns for a woman.
Heaven is a beautiful, clean suburban paradise as long as they follow one simple rule: DO NOT communicate with "The Evil One" that dwells on the other side of a giant wall that circles the town. One day after chasing one he discovers a talking kitten with a broken leg a small child crawls through a hole in the wall and meets the Evil One, who attempts to teach him the forbidden knowledge that was previously hidden from them all.
Portrait of Pier Paolo Pasolini and his literary and cinematographic activity in the proletarian Rome.
A surrealistic anthology of horror films; four segments structured as an intense fever dream...
Abandoned by his owners for failure to maintain an erection, mindless sex slave Pinocchio 964 is left to wander the streets of Tokyo. Together with the homeless Himiko, he seeks refuge from his corporate masters in the alleys and sewers of the sprawling metropolis. But as Pinocchio and Himiko inch closer to reclaiming the selves they never knew, sinister revelations about their origins come to light.
A troubled group of children living on the same block are haunted by a talking dog named Labby who brings them on surreal hell-rides between different dimensions and time periods.
Fando and his partially paralyzed lover Lis search for the mythical city of Tar. Based on Jodorowsky's memories of a play by surrealist Fernando Arrabal.
A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.
A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers. Back in the present, he escapes and rejoins his surviving and armless mother.
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
In a dysfunctional family where the mother is a heroin addict and prostitute, beaten by her son, and the father is an ex-TV reporter, sleeping with his daughter and filming his son being beaten up, ‘Q’, a complete stranger enters the bizarre family, changing their lives for the better, finding a balance in their disturbing natures.
Four friends gather at a villa with the intention of eating themselves to death.
Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex, apparently their least favorite subject: he asks children if they know where do babies come from, asks old and young women about gender equality, and asks both genders if a woman's virginity still matters, how do they view homosexuals, if sex and honor are related, if divorce should be legal, if they support the recent abolition of brothels, etc. He interviews workers, intellectuals, students, rural farmers, the bourgeoisie, and other different people, painting a vivid portrait of Italy in the years of the Economic Boom, suspended between modernity and tradition.
O・リード扮する精神科医のもとで、ある研究の実験台になっているS・エッガー。その研究とは、人間の憎悪という感情を、肉体的に具現化させるというものだった。エッガーの体にはやがて腫瘍ができ、その中からは奇怪なコビトが現れる。それこそ、腫瘍をある種の子宮として誕生した、彼女の憎悪の化身であった。
ある日、サラリーマンの主人公は、自らの頬に金属の欠片のようなにきびができているのを発見。さらには出勤の途中、見知らぬOLが金属で膨張した腕を振りかざして彼に襲いかかってきて、必死で防戦するうち、いつしか彼の腕も金属と化していた。やがて彼の体はすっかり金属へと変身を遂げ、彼の恋人の体を引き裂くに至り、彼は快楽を覚えだす。そして彼は、やはり全身が金属と化した正体不明の“やつ”と対決するはめとなる。
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.
A mentally disturbed man takes residence in a halfway house. His mind gradually slips back into the realm created by his illness, where he replays a key part of his childhood.
Initially, "Mulholland Dr." was to mark David Lynch's return to television. It is a retooling of a script originally shot as a 94-minute pilot for a TV series (co-written with TV screenwriter Joyce Eliason) for the channel ABC, which had approved the script, but chose not even to air the pilot once it was done in 1999, despite Lynch's labours to cut the project to their liking. It was left in limbo until 18 month later French company Studio Canal Plus (also producer of 'The Straight Story') agreed to pay ABC $7 million for the pilot, and budget a few million more to turn the pilot into a two-hour, 27-minute movie. The cost of the film doubled to $14 million as sets had to be reconstructed and actors recalled.
暴力、セックス、ドラッグ、殺しが蔓延る多国籍街・歌舞伎町。その一角にあるヤクザマンションと呼ばれるビルに事務所を構える安生組の組長が、組の資金3億円と共に姿を消した。若頭・垣原は組長捜しに乗り出すが、その時既に組長はヤクザ壊滅を企む謎の手配師・ジジイによってマインドコントロールされた、靴の踵に仕込んだ鉈を武器とする泣き虫の殺し屋・イチに殺されていた。そのことを突き止めた垣原は、組長の仇を討つべく手下の高山や会長・中沢、イチに過去の自分を投影する鉄砲玉の金子、双子のサド刑事・二郎と三郎、敵対する組の船鬼や鈴木ら周囲を巻き込んでイチ捜しを開始。だが、実は究極のマゾである彼の目的は、やがてイチの無情な殺戮方法に対する興味へと移行していく。そして、遂にイチを捜し出した垣原は、イチに痛めつけられる期待に胸を膨らませるのであったが、肝腎のイチは不甲斐なく彼の期待に応えてはくれなかった。そこで、絶望した垣原は自らの耳に針を刺し自分を痛めつけると、イチに倒される妄想を見ながら投身自殺するのであった。
超能力をビジネスに利用している警備会社コンセックの科学者により、その能力をさらに開発された超能力者のベイル(スティーヴン・ラック)。ベイルの任務は、もう一人のスキャナー、レボック(マイケル・アイアンサイド)の追跡。しかし、驚異的な力で世界をわがものにしようとたくらむレボックは、彼の野望に逆らうスキャナーたちを虐殺し始め……。