The Rapture (1939)
ジャンル : ドラマ
上映時間 : 1時間 37分
演出 : Antonio Delgado Gómez
シノプシス
The first Venezuelan feature-length film.
Examines the struggles of a man petrified by the notion of human contact and intimacy. Armando, aged 50, cruises young men in the streets of Caracas and pays them to come back to his house. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets 17-year-old Elder, leader of a small band of thugs. Their turbulent relationship will come to mimic the violent, passionate, oppressive unpredictability of the city around them.
1989. Caracas is once again in danger with the comeback of the most dangerous drug lord of Venezuela, Disco Herrera; just months after "The Caracazo", a series of riots and massacres that left over 3000 casualties. Now Inspector Guerrero will investigate the strange coincidence with the help of maverick ex-cop Ryan of the DEA and destroy Herrera once and for all.
Andrés and Julissa now parents to a seven year old Carlitos struggle to live happily as a family despite being fervent fans of rival teams and of Vicente's (Julissa's father) disapproval.
中米ベネズエラ、ラス・ピエドラス。500km先の油田で起こった火事を消すために、マリオら4人の荒くれ者たちが、大量のニトログリセリンを運ぶ仕事を請け負う。少しの振動で爆発しかねないニトロ。命懸けの仕事だが、4人は一攫千金に挑む。現場に向かう2台のトラック。その行く手に恐るべき難関が待ち構える…。
Two brothers fight to escape a violent and poor neighborhood in Caracas by playing soccer. Daniel wishes to play professionally while Julio supports the family with dirty money. The opportunity of a lifetime comes when a talent scout invites them to the Caracas Football Club. The boys' mother dies in a shootout forcing each brother to decide what it is more important to them:family, revenge, or achieving their dreams.
When a science experiment goes horribly wrong, gigantic fish gain appetites for human flesh.
Two missionaries (Bud Spencer and Terence Hill) come into conflict with the authorities when they turn their missionary into a parrot farm. The Bishop of Maracaibo calls them his 'black sheep' and the Monsignore has been called to check on their behavior. Like usual, our heroes help the poor to defend themselves and provoke some funny fist fights in the process. (from Wikipedia)
Andres (Jean Pierre Agostini) it's a fan of Los Leones del Caracas one of the principal baseball teams of Venezuela. Julissa (Juliette Pardau) it's a fan of Los Navegantes del Magallanes, the rival team. One day Andres gets tickets to see the game in Magallanes VIP Zone. He meets Julissa and her dad who is not only fan but one of the team's managers. Andres and Julissa will fall in love and will have to pretend to be fan of the other's team. But soon trouble will arise.
The story of Diego, a young and successful photographer that lives in the glamorous world of fashion, shallowness and excess. A tragic accident turns his world around; his partner is now in a coma. Unexpectedly, and right at this terrible time, Diego must take care of his son, Armando. Now, both of them have to adapt to each other; Armando to the unknown, homosexual world of his father, and Diego to the closed attitude of his teenage son.
In this erotic thriller (Vittoria Bellevedere) is cast as the stereotypical evil woman who charms innocent men with her physical attractions and then destroys them like a praying mantis munching on her unfortunate mate, head first, just after their sexual union. Unlike the female mantis, this woman slowly ruins the life of the man she has seduced instead of finishing him off immediately - providing fodder for the film, and scenes reminiscent of Fatal Attraction and Basic Instinct.
Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.
Pablo is a young man going through a crisis of love. His best friend decides to take him to reunion party; there he encounters Daniela, the great love in his adolescence. In the middle of the party he tries conquer her heart, but discovers a reality that he did not expect of her: she is dedicated to the oldest trade in the world
Anita Camacho, an ambitious maid poses as the owner of the house where she works in order to seduce a man of money, marry him and finally stop being poor.
The chance of an innocent child's game will unveil a betrayal that will forever change the lives of two families when their paths cross, endangering what they love the most, in a city that does not give them a truce.
In its heyday, Changa Tuki, aka Raptor House, attracted thousands of young people to afternoon parties called "matinees", from those parties a controversial subculture grew, one that still echoes to this day. This is the story as told by its protagonists.
Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.
世界最強の殺し屋・ゴルゴ13ことデューク東郷。
大統領に沸く、アメリカ。
大統領候補ハーディは、クィーン・ビーと名乗る組織から脅迫を受けていた。
彼の片腕ウォルサムは「クィーン・ビー」の女首領ソニアの殺害をゴルゴ13に依頼する。
繰り返される殺戮の中、ソニアとハーディ、ウォルサムを巡る残忍な過去が浮上する・・・。
A drug deal gone wrong; a passionate blackmail that turned violent; and a kidnapping with the two worst kidnappers in the world.
Jose lives with his family in La Soledad, a dilapidated villa located in what used to be one of Caracas' most affluent neighborhoods. After learning that the owners are planning to sell the property, Jose seeks any solution that might keep his young daughter from growing up in the city's crime-sodden slums.
The film gives the history of Venezuela from 1989 to 2004 and then explores some of the projects sponsored by the Bolivarian government, including the financing of cooperatives as a way of building the Socialism of the 21st century.