Sudan, East Africa, 1980. A team of Israeli Mossad agents plans to rescue and transfer thousands of Ethiopian Jews to Israel. To do so, and to avoid raising suspicions from the inquisitive and ruthless authorities, they establish as a cover a fake diving resort by the Red Sea.
The story, set in 1885, follows a British officer (Heath Ledger) who resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers which symbolize cowardice. To redeem his honor he disguises himself as an Arab and secretly saves the lives of those who branded him a coward.
The lives of two Danish families cross each other, and an extraordinary but risky friendship comes into bud. But loneliness, frailty and sorrow lie in wait.
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
English General Charles George Gordon is appointed military governor of Anglo-Egyptian Sudan by the Prime Minister. Ordered to evacuate Egyptians from the Sudan, Gordon stays on to protect the people of Khartoum, who are under threat of being conquered by a Muslim army.
A disgraced officer risks his life to help his childhood friends in battle.
Inspired by the true story of the first giraffe to visit France, Zarafa is a sumptuously animated and stirring adventure, and a throwback to a bygone era of hand-drawn animation and epic storytelling set among sweeping CinemaScope vistas of parched desert, wind-swept mountains and open skies. Under the cover of darkness a small boy, Maki, loosens the shackles that bind him and escapes into the desert night. Pursued by slavers across the moon-lit savannah, Maki meets Zarafa, a baby giraffe – and an orphan, just like him – as well as the nomad Hassan, Prince of the Desert. Hassan takes them to Alexandria for an audience with the Pasha of Egypt, who orders him to deliver the exotic animal as a gift to King Charles of France.
While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.
The film is an emotional journey of a common man to an unknown place with the hope to come home and lead a better life. The film revolves around a story of human survival adapted from a newspaper article of a real-life crisis event, when three oil workers from India were kidnapped and taken hostage in Sudan.
The fifth filming of the adventure classic about a British soldier in the 1880s who fights to regain his honor after being given four white feathers, symbols of cowardice.
In 1885, while his regiment is sent to the Sudan to battle the rebellious Dervish tribes, British Lieutenant Harry Faversham resigns his officer's commission in order to remain with his fiancée Mary Burroughs in England. His friends and fellow officers John Durrance, Peter Burroughs and Tom Willoughby brand him a coward and present him with the white feathers of cowardice. His fiancée, Mary, adds a fourth feather and breaks off their engagement. However, former Lieutenant Faversham decides to regain his honor by fighting in the Sudan incognito. Re-used a great deal of stock footage from The Four Feathers (1939), including the entire final battle sequence.
A British soldier escapes from 1880s Khartoum and goes down the Nile river with a fellow soldier, a governess and the daughter of an emir.
A performance artist works tirelessly to fulfill her dream of adopting Sudanese twins, placing her marriage and career at risk in this documentary.
Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.
Benjamin and Awad run Sudan's national film archive. The two men, who have worked together for more than 40 years, are devoted to protecting their country's visual memories. Home to some 13,000 films, the archive preserves pivotal moments of Sudan's turbulent history and is one of the largest in Africa. But the archive is in a fragile state. Following years of neglect and poor storage, many film reels are turning to dust in Sudan's unforgiving tropical climate. The two friends are determined to turn it around and embark on a mission to save the old films. Will they succeed in preserving Sudan's visual history for future generations before it's too late?
This acclaimed documentary follows the story of six people who are determined to end the sufferings in Sudan's war-ravaged Darfur. The six - an American activist, an international prosecutor, a Sudanese rebel, a sheikh, a leader of the World Food Program and an internationally known actor - demonstrate the power of how one individual can create extraordinary changes.
Tonj, Sudan is the land with only desperation from poverty and war. This is the story about priest also doctor, educator, musician and architect Lee Tae-seok’s work and hidden episode behind.
For his first feature film in many years, the legendary filmmaker from Sudan has chosen to adapt Victor Hugo's classic novel Les Miserables for an African audience in the Arab language. The esteemed actor Gamal Hassan assumes the character of Jean Valjean from who is a man driven to crime and nefarious activities after circumstances have driven him in this direction. However, with the help of others he manages an incredible transformation. Gubara clearly saw this narrative as a significant parable concerning the will to change perceived as crucial for the future of Sudan.
Although perhaps without foresight, Gubara seemingly set out to capture a historic picture of a city that today has completely vanished. He reveals to us the livelier place that Khartoum was before fateful circumstances turned it into a tough, surviving shell of its former self.
The true life story and adventures of László Almásy, the 'English patient', who crossed Africa in 1929 with the father of filmmaker Kurt Mayer: These events provide the motivation and outline for a critical journey through 'men's domains' in Cairo, London and Vienna. Navigation in the expanses of the memory - the dream of flying, documents from the war and of an unrequited love...
