In one Corner of the Soul (2016)
ジャンル : ドキュメンタリー
上映時間 : 1時間 33分
演出 : Jorge Dalton
シノプシス
Eliseo Alberto (aka Lichi) was a scion of one of the most renowned families in Cuban arts and letters. He fled to Mexico City in 1990 where he lived the last two decades of his life. Lichi is the co-author of the screenplay for Guantanamera. His novel, Caracol Beach won the Premio Alfaguara and Informe contra mi mismo (Dossier Against Myself) details how he was asked to spy on family and friends when he was in the military. Shortly before his death in 2011, he asked filmmaker Jorge Dalton to film a lengthy conversation with him about his struggles with the revolution and his fervent hope that all Cubans would find a way to right their country’s course and reunite. That fateful, intimate conversation has now become the centerpiece of an urgent and enlightening film. A defender of freedom in its various guises, Lichi was convinced no one could love Cuba as much as he did.
Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.
The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a 'pee' gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India.
Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."
衝撃的な性描写が物議をかもし、アメリカ全土を揺るがした伝説のポルノ映画『ディープ・スロート』騒動を検証するドキュメンタリー。2年以上かけて監督、主演者ら関係者100人以上にインタビューを行い、1本の映画が巻き起こした波紋を描く。監督・脚本は、『パーティ☆モンスター』のフェントン・ベイリー＆ランディ・バルバート。70年代当時のアメリカの性文化ばかりでなく、ポルノ産業が創造性よりも商業性重視に転じていく様子も映し出され興味深い。
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