Salt (1965)
ジャンル : ドキュメンタリー
上映時間 : 14分
演出 : Eduard Sachariev
シノプシス
An impressionistic documentary, depicting moments moments from a work day at a salt mining site during 1960s Bulgaria. The final cut. aptly titled "Salt" of the film consists of two versions of itself. The first is the original cut of the documentary, as the author imagined it, known as "Salt I". The second half is a heavily edited version, produced in accordance to terms, put forward by the Socialist Cultural Commitee at the time, called "Salt II".
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a 'pee' gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India.
衝撃的な性描写が物議をかもし、アメリカ全土を揺るがした伝説のポルノ映画『ディープ・スロート』騒動を検証するドキュメンタリー。2年以上かけて監督、主演者ら関係者100人以上にインタビューを行い、1本の映画が巻き起こした波紋を描く。監督・脚本は、『パーティ☆モンスター』のフェントン・ベイリー＆ランディ・バルバート。70年代当時のアメリカの性文化ばかりでなく、ポルノ産業が創造性よりも商業性重視に転じていく様子も映し出され興味深い。
The film goes behind the scenes of the 1999 sci-fi movie The Matrix.
Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
For a book project, photographer Timothy Greenfield-Sanders took photographs of 30 stars of adult movies, each pair of photographs in the same pose, clothed and nude. This film records the photo shoots and includes interviews with the performers and commentary from eight writers (and John Waters). The actors and writers discuss economics, nudity and exhibitionism, careers, and private lives.
Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.
アメリカのジャーナリスト、マイケル・ムーアによるドキュメンタリー。アメリカの銃社会を取り上げ、各界の著名人に突撃取材を敢行。そのパフォーマンス的取材力は本作をリアルなエンタテインメントにしている。
2008年9月、米国の大手証券会社リーマン・ブラザーズが倒産したのをきっかけに、世界金融危機が起きる。だが、その原因になった同国のサブプライムローン問題は、もう前年に発覚していた。なのに、誰もリーマン・ショックを阻止できなかったのはどうしてか。金融関係者のインサイダー情報や専門家の分析によれば、金融バブルをあえて大きくすることで荒稼ぎした面々がいるという。中には後のオバマ政権に加わる者もいて…。
Wheel of Time is Werner Herzog's photographed look at the largest Buddhist ritual in Bodh Gaya, India.
Legendary martial artist Bruce Lee is the subject of this thoughtful documentary by Lee aficionado John Little. Using interviews, behind-the-scenes footage and action sequences from Lee's last (unfinished) film, Game of Death, Little paints a textured, complex portrait of the world's most famous action hero
For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.
A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.
A definitive live concert film documenting AC/DC’s massive Black Ice World Tour. Shot in December of 2009, AC/DC Live at River Plate marks AC/DC’s triumphant return to Buenos Aires where nearly 200,000 fans, and 3 sold-out shows, welcomed the band back after a 13 year absence from Argentina. This stunning live footage of AC/DC underscores what Argentina’s Pagina 12 newspaper reported by saying “no one is on the same level when it comes to pure and clear Rock ‘n Roll.”
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
The Lover’s Guide 3D is the latest in the best selling series of sex education DVDs that help to educate consenting adults in the pleasures of love making. By imparting knowledge of how the body works along with how to stimulate your partners desires by being attentive to their needs, showing you specific techniques and maintaining a clear open approach to the subject matter, the documentary manages to inform and express without the need to be graphic. By advocating safe sex within a loving relationship and an emphasis on increasing desire and sustaining sex, this educational tool should appeal to those starting out or those already in a stable relationship.
Journalist Fabian Burstein looks behind the curtains of the porn industry. Starting in Budapest he heads westwards to explore a new world on its victory march rooted deeply in Austria. On this journey he meets the heroes and leading actors of this story: Austrians Mick Blue, Renee Pornero and Thomas Janisch. Porno Unplugged follows its native porn stars to where their lives happen. From east to west...
Filmmaker and comic writer Kevin Smith interviews comic book legend Stan Lee about his life and work in comics across the decades.
