Timka Grahić

Colombian girl, who studies law in France, arrives to Sarajevo in order to write a study about the War Crimes Tribunal. Unexpectedly she finds herself in the center of the intimate tragedy of her new friend, a native woman.

Since Zlatan fled the war in former Yugoslavia, his contact with his homeland has only consisted of him regularly sending money to his old aunt who is the only surviving relative there. Now his adult daughter is set on visiting Sarajevo (Zlatan’s hometown) together with him in order to walk the streets of his youth and hear his story. Despite initial unwillingness, Zlatan lets himself be persuaded and the reunion with the home country brings both absurd surprises and secrets from the past.

Sarajevo on 28 of June, 2014. At the Hotel Europa, the best hotel in town, the manager Omer prepares to welcome a delegation of diplomatic VIPs. On the centenary of the assassination that is considered to have led to World War I, an appeal for peace and understanding is supposed to start from here. But the hotel staff have other worries: having not been paid for months, they are planning to go on strike. Hatidza from the hotel laundry is elected strike leader even though her daughter Lamija, who works in reception, is firmly against industrial action. Meanwhile, in the sealed-off presidential suite, a guest from France rehearses a speech. Elsewhere, a television reporter conducts interviews about war and its consequences. Was Gavrilo Princip, the 1914 assassin, a criminal or a national hero? What long shadow does his deed cast into the present?

パウラ・ファリアスの原作を豪華キャストで映像化した感動のヒューマン・ドラマ。井戸に死体が投げ込まれ、生活用水が汚染された村。国際援助活動家たちはロープを手に入れ、死体を引き上げようとするが……。

Kym, an Australian tourist, decides to travel to Bosnia. Her guidebook leads her to Višegrad, a small town steeped in history, on the border of Bosnia and Serbia. After a night of insomnia in the 'romantic' Hotel Vilina Vlas, Kym discovers what happened there during the war. She can no longer be an ordinary tourist and her life will never be the same again.

A microcosm of the fathomless suffering that remains more than 16 years since the siege of Sarajevo ended, writer-director Aida Begic’s follow-up to her 2008 Cannes Critics’ Week Grand Prize-winning debut Snow tells the story of two orphaned siblings struggling in a transitional society where only the fittest survive.

A harsh dose of cinematic realism about a harsh time – the Bosnian War of the 1990s – Juanita Wilson's drama is taken from true stories revealed during the International Criminal Tribunal in The Hague. Samira is a modern schoolteacher in Sarajevo who takes a job in a small country village just as the war is beginning to ramp up. When Serbian soldiers overrun the village, shoot the men and keep the women as laborers (the older ones) and sex objects (the younger ones), Samira is subjected to the basest form of treatment imaginable.

Bosnia and Herzegovina, 1991. After the fall of the communists, Divko Buntić, who has lived in exile in Germany for the past twenty years, returns to the village where he grew up, intent on reclaiming ownership of his family home, driving a swanky Mercedes and accompanied by his young bride; by Bonny, his lucky black cat; and with pockets full of money.