Chen Yanyan
出生 : 1915-02-24, Ningbo, Zhejiang, China
死亡 : 1999-05-03
略歴
Chen Yanyan (Chinese: 陳燕燕; Wade–Giles: Ch'en Yen-yen; 12 January 1916 – 7 May 1999), born Chen Jianyan, was a Chinese actress and film producer in the cinema of Republic of China (1912–1949), British Hong Kong and Taiwan.
Herself
Based on the tragic true story of China's first prima donna of the silver screen, Ruan Lingyu, chronicling her rise to fame as a movie actress in Shanghai during the 1930s.
When a once infamous criminal decides to give up his lifestyle and return the many treasures he has stolen to their rightful owners; he is promptly murdered by his partners in crime. To avenge his death is his son, with the deadly "mantis fist".
Tiger's mother
A spoilt rich kid turns up at a fu school to show off, but he gets clobbered by the boastful Little Tiger, who is later framed for the kid's murder when a gang of blackmailers make an example of him. The police allow Tiger to escape, in order to find the real culprits. Tiger hides at his girlfriend's place, but a model she works with does some whoring on the side for the blackmailer, and so the crooks are onto his trail...
Ken Chin Hua
The Yang family, men and women, have served their country loyally for generations. During the war General Yang is ambushed and killed. His widow and the entire family set out to avenge his death and defend the country.
Jiao's mother
Plotting to obtain the Yen family's land, dastardly Japanese plutocrat Omura bribes Yen nephew Hsu Chien to steal the family seal and land deed. When Hsu Chien is caught in the act, he viciously beats elderly Master Yen to death to cover his actions. Determined to avenge the wrongs committed on his family and his country, young master Yen Tzu Fei blazes a knife-throwing path of revenge that leads him to his love Yue Hua's father, who has corrupt connections with the Japanese
Zhen's grandmother
Under false pretenses, Zhenzhen marries Mr. Lin, who happens to be her teacher. She wants to still study and wants to enroll in his school in Hong Kong. The head of the school agrees to this under the condition that they conceal the fact that they are married. Zhenzhen finds out right away that her husband is fawned over by the girls, they all have a crush on him, as also does the spinster librarian. However, Mr. Lin finds that that the boys in the school (they are late teens, 17 or so) really like Zhenzhen. This leads to hurt feelings, questions about fidelity and even, in Zhenzhen's case, innocuous dates with one of the boys who rides a motorcycle.
Li Kui's Third Sister
After a career spanning more than forty years and dozens of films as director or writer, Yueh Feng used everything he learned on a final few martial arts epics, of which this is one of the most memorable. It's not easy to forget a hunchbacked, one-armed protagonist, nor the "Poisonous Dragon Sword" style, nor the luminous and lethal Shih Szu as the title swordswoman, who is out to avenge her father's death at the mid-autumn festival.
shaw production
Sung's Wife
Intrigue in the court means that the wife and daughter of framed scholar Sung have to travel to the capital in disguise, as court agents hunt them down. A righteous swordsman and a group of kiln workers get caught up in the action.
Luo's mother
This tale is about a decapitating swordswoman who will let nothing stand in her way when she falls in love with a bandit's son. Chiao Chiao, made famous in One-Armed Swordsman, is the girl who won't let such trifles as craniums keep her from freeing her man from jail.
Lady Hua
The film tells the story of Tang Bohu, a famous scholar who spends most of his time wandering around the countryside.
Mrs Chen
Spring Blossoms is a parable about the Chinese youth culture and what's important to the younger generation when it comes to romance. It starred a new wave of seventies, Shaw's beauties, Lily Li, Shu Pei-pei and Essie Lin-chia as single women looking for love. It's a triple-decker romantic bus ride on a road to nowhere speeding toward a low bridge. Only Lily Li became successful via her martial-arts abilities, so awesomely featured in Jackie Chan's The Young Master.
Shin's mother
The film tells a complicated love story. Carmen with Ke, Xiang Yi and Jiyuan. They start as a friend, but somehow a love triangle occur, and the outcome is very tragic.
Master Qi's Wife
香港映画史に残る武侠アクションの傑作で、『片腕ドラゴン』『片腕カンフー対空とぶギロチン』の原点であり、“天皇巨星”ジミー・ウォングを一躍スターに押し上げた記念的作品。
Luo Mu
Mandarin-era Hong Kong film adaptation of Louisa May Alcott's Little Women.
Fen's auntie
Su Fen, a young and frail girl, looked forward to her wedding with her fiancé, Li Kuo-liang. The happy couple's bliss was cut short when war broke out. Kuo-liang was summoned to fight at the front lines. In his absence, Su Fen discovered she had tuberculosis.
Queen
With her elegant classic persona, Li Li-hua was the ideal performer for period aristocratic and imperial roles. The Goddess Of Mercy is a good example of her strong empathy and noble presence. The youngest daughter of a brutal king, the princess openly disapproves of the floggings and cruel treatment her royal family heaps on the peasants. As a result, the heartless king turns on his own daughter forcing her into exile. This humanistic tale will inspire and hearten even the most cynical viewer.
Lan's mother
The contemporary issue of single mothers is sensitively handled in this melodrama as a young woman must decide whether she will tell the new man in her life the real truth or forever remain the child's auntie Lan? (Celestial Pictures sypnosis)
Teacher
Hong Kong musical directed by Lo Chen.
Mrs. Ji
Part two of the wartime love story
Auntie Ji
It's a powerful melodrama about a thwarted romance in 1930s Tientsin, China, during the Japanese occupation, and it stars Linda Lin Dai, one of the era's most popular stars. It was part of Golden Horse's 100 Greatest Chinese-Language Films.
Lady Cui
A scholar woos the daughter of an important family, while outwitting rebels who try to capture her.
Chiu Erh's mother
The Goddess of Hua Mountain is imprisoned for falling in love with a mortal, meanwhile her son is raised in secret until he can attempt to free her.
Ching Ying's wife
With China under control of a weak Emperor, two officials compete to steer the future destiny of the land. Chiu believes the people are the future of China, while the diabolical Tu wishes to grind the people beneath an iron heel. Tu decides to take out Chiu's family, but one lone infant escapes.
Mrs Tien
War film set during the second Sino-Japanese war.
Madam Tien
The story revolves around Tian Yu Quan (Chin Feng) who rushes to the aid of an elderly fisherman who is bullied by an arrogant relative of the Qiu Shan ministry. In the heat of the ensuing battle he kills the said man and is hence chased by the district's officials. Trying to use the waterway to shake off his enemies, Yu Quan finds a true friend in the old fisherman's bark-stearing daughter, Hu Feng Lian (Ting Hung) who becomes his loyal accomplice. As symbol for his gratitude, Yu Quan bestows Feng Lian with a Butterfly Chalice to reflect their eternal friendship bond...
Mrs. Lin
Ling Bo is Lin, a young man engaged to the daughter of a rich man, who now despises Lin because of his family's declining status. Lin visits his beloved fiancee before he heads towards the imperial city to participate in the civil service examination, only to find her maid lying dead in blood. Lin is then accused of murder. How can Judge Bao prove his innocence?
Mu-Lan's mother
About a woman who disguises herself as a man to take her father's place in the army.
Shian's mother
Fan Chia-soo is a kind-hearted student whose heart is captured by the sweet song of Shen Feng-hsien. However, he is not the only one who has eyes for Shen. The General's henchmen are also determined to present the songstress to their superior as a gift. Fan received help from an unexpected quarter to save the woman he loves.
Old Mrs. Yen
Based on one particular storyline from The Water Margin, Three Sinners weaves an intriguing story of romance, treachery, and death, all within the context of the traditional Huangmei Opera. Yan Jun casts his real-life wife, the elegant Li Li Hua, star of such Shaw Brothers films as The Goddess of Mercy and Vermillion Door, as one of the title characters, a woman who finds herself in the middle of a stormy love triangle involving her controlling husband (director Yan Jun serving double duty in a starring role) and a passionate lover (Chen Yan Yan).
Mother Luo
A widow of four gave up two of her children to be raised by an uncle in Singapore. Many years later, just when the widow, now a house maid, is feeling contented by good news of her long gone son and daughter, she accidentally runs into his own son, now a lawyer, and ends up being looked down upon by him. It was a story about how traditional Chinese family and its value was impacted by the change of time. The movie depicted Macau in 1945 to Hong Kong in the mid-60s, moving from poverty after WWII to opulence. The human relationships became complicated and fragile. Many elements uniquely "Hong Kong", such as upper class Chinese, western religions, English speaking and a mixed-culture society are used to contrast the traditional, kind, enduring and forgiving love of a mother.
Ying-Tai's mother
In this dreamy romance set in China during the fourth-century, a young woman convinces her parents to allow her to dress as a boy and attend university.
Adopted mother
Melodramatic film about a child prodigy.
Zhao Lan
A war-veteran husband and his wife are slowly consumed with distrust in Xu Changlin’s fascinating hybrid of noir thriller and melodrama.
Yu Jiayin falls in love with the father of the girl she tutors.
林继芬
白萍
李小玉
Three stories about art stages. "Film City", "Drama Group" and "Dance Class".
"Lianhua Symphony" - a small collection, consisting of eight short films shot in 1937 by young filmmakers Shanghai Lianhua Film Company. Part 1: Two Yuans (兩毛錢) directed by Situ Huimin / Part 2: Nightmares in Spring Chamber (春閨斷夢) directed by Fei Mu / Part 3: The Stranger (陌生人) directed by Tan Youliu / Part 4: Three Friends (三人行) directed by Shen Fu / Part 5: Landscape Under the Moonlight (月下小景) directed by He Mengfu / Part 6: The Ghost (鬼) directed by Zhu Shilin / Part 7: Rhapsody of a Madman (瘋人狂想曲) directed by Sun Yu / Part 8: Five Little Brothers (小五義) directed by Cai Chusheng
A Chinese film
鸿玉
Sun Ruoyan - the daughter
A businessman moves his family from the city to the countryside to open a school.
Xiang Ding
Six young men from the city take jobs building roads for the Chinese Army
Lin Shao-Mei
Although Hui-Ying is now married to a husband that offers a life of stability and comfort, over ten years ago her first husband (Jia-Hu) fled from Shanghai to Nanyang (old name for Southeast Asia) to escape capture by a warlord - leaving her and their toddler daughter (Shao-Mei) behind in helpless desperation. Despite the mother's emotional attachment to her absent husband, she has never told the daughter about Jia-Hu so the daughter believes the stepfather is her biological father. But the mother begins to have second thoughts about the stepfather when she sees the teen daughter zealously follow the path paved by him - a path that the mother fears will lead to her daughter's moral decline.
Yan Gu
A Chinese couple in the 1930s struggle to survive. Things get complicated for them when he enlists to fight the war against Japan.
小女儿
Xiaohong Li
To please his dying father, Hong Yu, a college student, is forced to abandon his girlfriend, Little Hong, and marry his cousin, with disastrous results.
A Qiao / Lucetta
Bai Le De and Hu Lun tung are military cadets. After graduating, Hu Lin Tung is appointed captain of Guangdong headquarters and goes away. Later, Bae Le De is also appointed to a post at the same place. Hu Lun Ting falls in love with Luo Hua, daughter of the local commander.
This is a silent film from China made in 1931. It is about two leads in a film, Yan (Raymond King) and Ying (Violet Wong). They meet after hearing Ying sing while another movie is being shot. You, of course, don't get to hear the song, but it catches people's attention. Once they meet and work together, they fall in love. Is it forever?
The film tells the story of Yang Naifan (Ruan Lingyu) who runs from her arranged marriage to be with her true love, Li Zuyi (Jin Yan). The film details the poverty she must endure for breaking with tradition.
This film depicting the lives of ordinary people — street peddlers, poor scholars, and young revolutionaries — reflects the culturally progressive political climate of that pre-War, post-May the 4th era.