A conversation with a woman waiting at the stop of a non-existent bus #13 becomes a turning point in the life of all her interlocutors. People "wake up" from the power of stereotypes and false beliefs, and act in accordance with their new understanding. Their stories show that moral choice is not always legal, but legitimate - not always moral. This builds one of the main ideas of the film: "Everyone is entangled with false stereotypes and ideas, but the only true way is to live their lives."
The year is 1964. Rachel Brener is one of 3 young Mossad agents teem who caught "THE SURGEON OF BIRKENAU" - a Nazi monster who was never brought to trial in Israel. The official reason was that he was shot to death while trying to escape from Israeli captivity in a safe house somewhere in Europe. 30 years after, the well communicated death story of the monster could be questionable, a small article appears in a local unimportant paper in a small town in Ukraine. Surprisingly the Surgeon is ALIVE and is willing to admit his crimes against the human race and especially the Jews. The 3 older x Mossad agents who are in their late 60th became aware to this unfortunate threatening knowledge. The fact was that the "Surgeon" managed to escape from his guards 30 years ago.
In the early eighteenth century, foreign rule means dark times for the Hutsuls of the Carpathians. The two Dovbush brothers become opryshkos - mountain outlaws. But the two brothers become enemies - one cares only about money, the other - Oleksa - fights for his people. The Carpathians are convulsed with a wave of uprisings. The aristocracy uses its military might to try to kill Dovbush and destroy his legend. But Dovbush outwits them. The desperate lords devise a devious plan and attack the invincible outlaw's Achilles heel - his love for his childhood sweetheart, Marichka. Who will be the assassin to attack the Opryshko whose immense strength and bravery inspired folk tales? Will the lords' treacherous plan destroy the hero before he can lead his people to freedom?
