A comedy about a group of Mainland tourists visiting HK to see the re-unification festivities. Thanks to a reservation mix-up, they have nowhere to stay and end up in a house belonging to the boss of bumbling housekeeper Lam Siu-fa.
Emerging from the Chinese film renaissance of the 1990s (Raise the Red Lantern, Farewell My Concubine) this haunting folk tale set in rural China in the 1920s tells the story of a young woman forces to grieve the death of a man she was destined to marry. Combining astonishing visuals with intriguing plot turns, this moving drama is not to be missed. When the spirited Young Mistress (Wang Lan) is kidnapped on the way to her arranged wedding, the groom is killed in an explosion in an attempt to rescue her. The peasant charged with her care, Kui (Chang Shih) manages to free her but the groom's bitter mother forces the Young Mistress to honor her agreement by marrying a wooden statue of her son, and staying chaste. Director Jianxin Huang's fascinating exploration of forbidden love and rigid social hierarchy reveals a culture in turmoil, where tradition is taken to cruel extremes and young lovers may not survive.
Based on Zhou Keqin's excellent novel, Xu Mao and His Daughters weaves a story about the life and sufferings of Xu Mao, an aging peasant and his four daughters in the countryside during the Cultural Revolution. They struggle to make ends meet since his wife's death. Preoccupied with worries, he loses touch with his maturing daughters. It takes the stubborn but kindly intervention of a woman making a governmental inspection tour to cause father and daughters to appreciate their loving family.
When Song Wei's fiancee Luo Qun is denounced as a right-wing traitor by Party official Wu Yao, he is sentenced to ten years' hard labor. Song Wei breaks off her engagement, and eventually marries Wu Yao. Years later, after the Cultural Revolution, political currents have shifted; Song Wei demands that her husband, now a powerful Party official, seek Luo Qun's rehabilitation, but Wu Yao has no desire to open up old political and emotional wounds.
