Editor
Writer
Director
Editor
Lucas just lost his father and everything around him is starting to crumble. One day he meets Alvaro, who offers him money in exchange for some innocent pictures. Álvaro will use them to create fake accounts in social media to “just talk”, he assures, with underage girls. Desperate for money, Lucas takes the deal.
Producer
Lucas just lost his father and everything around him is starting to crumble. One day he meets Alvaro, who offers him money in exchange for some innocent pictures. Álvaro will use them to create fake accounts in social media to “just talk”, he assures, with underage girls. Desperate for money, Lucas takes the deal.
Original Film Writer
Lucas just lost his father and everything around him is starting to crumble. One day he meets Alvaro, who offers him money in exchange for some innocent pictures. Álvaro will use them to create fake accounts in social media to “just talk”, he assures, with underage girls. Desperate for money, Lucas takes the deal.
Story
Lucas just lost his father and everything around him is starting to crumble. One day he meets Alvaro, who offers him money in exchange for some innocent pictures. Álvaro will use them to create fake accounts in social media to “just talk”, he assures, with underage girls. Desperate for money, Lucas takes the deal.
Screenplay
Lucas just lost his father and everything around him is starting to crumble. One day he meets Alvaro, who offers him money in exchange for some innocent pictures. Álvaro will use them to create fake accounts in social media to “just talk”, he assures, with underage girls. Desperate for money, Lucas takes the deal.
Director
Lucas just lost his father and everything around him is starting to crumble. One day he meets Alvaro, who offers him money in exchange for some innocent pictures. Álvaro will use them to create fake accounts in social media to “just talk”, he assures, with underage girls. Desperate for money, Lucas takes the deal.
Editor
This film is Álex Montoya's first feature film: an interesting adaptation of the play La gente by Juli Disla and Jaume Pérez, also screenwriters of the film. The emergence of assembly groups after the political movements after 2011 served their authors to cast a comic look at decision-making processes and the capacity for dialogue of the human being.
Director
This film is Álex Montoya's first feature film: an interesting adaptation of the play La gente by Juli Disla and Jaume Pérez, also screenwriters of the film. The emergence of assembly groups after the political movements after 2011 served their authors to cast a comic look at decision-making processes and the capacity for dialogue of the human being.
Editor
A screenwriter contacts a prostitute to research a character of his new script.
Producer
A screenwriter contacts a prostitute to research a character of his new script.
Writer
A screenwriter contacts a prostitute to research a character of his new script.
Director
A screenwriter contacts a prostitute to research a character of his new script.
Editor
Lucas wants a motorcycle. He meets Alvaro, who will give him money for just some innocent pictures. With them Alvaro is able to create a fake online identity to contact young girls.
Producer
Lucas wants a motorcycle. He meets Alvaro, who will give him money for just some innocent pictures. With them Alvaro is able to create a fake online identity to contact young girls.
Screenplay
Lucas wants a motorcycle. He meets Alvaro, who will give him money for just some innocent pictures. With them Alvaro is able to create a fake online identity to contact young girls.
Story
Lucas wants a motorcycle. He meets Alvaro, who will give him money for just some innocent pictures. With them Alvaro is able to create a fake online identity to contact young girls.
Director
Lucas wants a motorcycle. He meets Alvaro, who will give him money for just some innocent pictures. With them Alvaro is able to create a fake online identity to contact young girls.
Writer
Marisa is dying but doesn't want her husband, Juan, to find out. So, before his daily visit, she has Concha put some make-up on her. Based on real events.
Director
Marisa is dying but doesn't want her husband, Juan, to find out. So, before his daily visit, she has Concha put some make-up on her. Based on real events.
Writer
Director
Writer
Every couple has two stories: the one they tell their children... and the real one.
Director
Every couple has two stories: the one they tell their children... and the real one.
Writer
Agustina can't see. María, the girl who looks after her, will open her eyes.
Director
Agustina can't see. María, the girl who looks after her, will open her eyes.
Director
