Damouré Zika

Two parts magical drama and one part straight documentary, this outing from famed ethnographic filmmaker Jean Rouch is set somewhere in Nigeria near a small village.

"Their land drought-stricken, three Nigerien farmers (and their donkey) travel to Holland to investigate the possibility of importing windmill technology for use on the plains of Niger. A follow-up to JAGUAR, PETIT À PETIT, and COCORICO MONSIEUR POULET! – undertaken with his longtime filmmaking partners Damouré Zika, Lam Ibrahima Dia, and Tallou Mouzourane – Rouch’s feature is a surreal tale of mythic proportions, full of antic humor and poetic digressions. But beyond the laughs and reveries, MADAME L’EAU is also a poignant commentary on the ‘poisoned gifts’ brought to West Africa by development projects. As Faye Ginsburg once remarked, this is a film about what the world would look like “if Jean Rouch was the president of the World Bank.”" - Anthology Film Archives

When the male nurse Damouré Zika talks about AIDS with his two friends Lam and Tallou, under the admiring eye of his own wife Lobo, who is a nurse's aide, it is because he believes that AIDS is a "disease of love that can only be conquered by love." And this right to love has only one passport for the moment: the condom, on whose use he gives an incredible demonstration.

Mariama and Damouré, two cousins, are in Venice looking for a relic—or fetish—lost a long time ago, as in one of Gentile Bellini’s famous paintings. Moving from the Grand Canal to the Niger River, the two mischievous cousins reveal to us that the relic is none other than the ritual ax of Dongo.

Based on a traditional African tale. A king has the habit whilst walking in disguise on the streets of his kingdom to listen to the wishes of his own people. One day he overhears two brothers daydreaming out loud about marrying the king's daughters, even if that meant being beheaded one year later. The weddings take place and one of the brother is decapitated one year later. The other one escapes execution at his wife's insistence. On a long journey full of surprising incidents, our hero himself becomes king of a village with wives and subjects. However, his earlier promise haunts him, and in order to save his family he accepts to be sacrificed.

Once upon a time, in the middle of the last century, a great warrior named Babatou. Nigerian jumper from the region Dounga Gurunsi invaded the country and settled there. The brave prisoners were integrated into the army, women espoused. For fifty years, the adventurous young people from Niger Babatou went to live in the epic.

The story follows three poultry sellers on a trip across the bush, attempting to deliver a load of chickens to a market in Niamey.

A sorcerer (played by the director himself) controls all activities in a village. Manipulating the different parties, the sorcerer promises love, good health and riches in exchange for the most extravagant rewards. One day someone exposes him, and the sorcerer becomes the laughing stock of the whole village. Desperate, he throws himself of a cliff.

It's the final of the giraffe football world championship. The 403 and the 504 are in the final. The referee gives the instructions and the cars rush in pursuit of the giraffe.

A man rides a VW Beetle through the plains of Niger.

The gods have declared the drought of the country. There seems to be no hope. A holy man summoned by the king requires the sacrifice of a young woman to put an end to their anger. A young man in love decides to go in search of water to save the girl from a tragic end, but when he returns with good news it's too late: the genie had his satisfaction and Toula has already disappeared in the holy swamp.

An African travels to Paris to learn about the construction of tall buildings, but is soon taken up with the oddities of French life.

Etnographic documentary about lion hunting in Africa.

Jaguar, a kind of road movie on foot, tells of the journey of three friends, Damouré, Lam and Illo, on their way to the Gold Coast where they hope to make a fortune in order to return to their village in a few months.

The subject of the film was the Hauka movement. The Hauka movement consisted of mimicry and dancing to become possessed by French Colonial administrators. The participants performed the same elaborate military ceremonies of their colonial occupiers, but in more of a trance than true recreation.

"Mammy Water" is mother sea, source of food. Jean Rouch filmed this short documentary in the Gulf of Guinea, in Ghana, where is held a colorful festival, the Chama, in which the participants offer cassava, gin and tobacco to the spirits of water and sacrifice a white ox to thank them and express their gratitude and respect.

In 1946 ethnographic researcher Rouch had attempted to film a "Bangaoui," a hippopotamus hunt along the river Niger, but the results were unsatisfactory.Five years later, he returns and makes the extra effort to get it right this time.