Eszter Csákányi

Drop dead please! Following the sudden death of a mysterious engine driver in his sixties, the Wife, the Lover, her illegitimate Daughter and an increasing number of shady characters from his spurious past want to know the true identity of the man they loved. They are dying to know which of them was really loved by him, and where he has hidden the fantastic fruit of his double life. In their deadly struggle, our heroes find themselves in the center of a satirical crime comedy, the sinful roots of which stretch back to the eighties, the closing decade of the socialist era.

An ambitious psychiatrist is researching a strange and unique mental state: hypermnesia, first of all because he would like to help his amnesic father. When he finds a patient with hypermnesia, he decides to take him out of the mental hospital at his own risk and study him. An unusual relationship is formed between the two men, which starts to endanger the doctor's career, his marriage and even the patient himself.

Three women from three generations are forced together, mentored by an old diva and a transvestite, to form a band. They are successful on stage, but off of it they are not getting along at all.

After her husband's death, Hanna Szendroy, the former primadonna, portrayed by Maya Komorowska is caught in the claws of the real estate mafia. She looses her lavish home and ends up homeless at the Keleti train station. When she returns to her house, now full of homeless people moved in by the real estate mafia, an unexpected relationship brings hope into her life again.

A pirate radio, the girl next door, and a test of friendship.

The film is a modernised version of the Chekhov drama, put in Budapest, Hungary, in a Soviet barracks between 1987 and 1991.

In the country reformatory school both the teacher and the children are trapped by the circumstances. From among the pupils excels Sanyi, who cannot accept the fact that his mother does not love him and he keeps on escaping after her. From among the teachers it is Mr. Csőrös who distinguishes himself by listening to the children, looking for those who escaped, Sanyi feels affection to him.

Shot in B&W, Gyula Gazdag's film follows the surreal and often comic quests of young Andris, an orphan searching for a father who doesn't exist, and Orban, a government clerk who's had enough of oppressive bureaucracy.

Hungarian family film.

A funny comedy about a young boy who lives with the very busy parents and got all the chances to become a worst child in the world.

A Hungarian band plays American rock & roll and blues hits with great enthusiasm and passion, but success seems to avoid them. TV and radio don't play their songs, sometimes even their crowd just sits and sips beer. Something must be done, and the band's leader (Lóránt Schuszter) comes up with the big idea: write and play songs for the people about themselves and not about some exotic, but too distant people's life. "We move from Tobacco Road to Retek street" With the remains of the band and a second singer (Gyula Deák "Bill") they find what they failed to show people before. The rich new sound can finally translate the spirit of blues and rock much more than words from any dictionaries could, this is the Köbánya-blues.

He starts going, carrying a dinner-can. His eyes are suddenly arrested by the breasts of the girl on the bicycle, riding towards him. Prompted by the strange movements of the girl as well as by seeing another girl in a wheel-chair, his imagination starts working. In his dream, as he follows a young woman dressed in white, he comes to a tunnel. On its wall, which is full of candles, he reads the sign, "Memories Prohibited". Yet he is still able to enter the Tunnel of Memories.

Irén and Attila, a not-so-young couple, are in love. All they want is a flat of their own where they could live together. Unfortunately, Hungary in the 70s is no place for dreams.

This grotesque, micro-realistic film is set in a small village at the end of the seventies. A TV-staff comes to the Petőfi Memorial House. They want to record the comic opera, The Postman of Longjumeau, by Charles Adam, a 19th century French composer.

A musical farce about women in the canning factory. The pretty Brigitta tries to commit suicide, because Laci left her, pregnant, but her mates save her.