Chen Shu

1930年、上海。町の顔役であるタンのもとで働く叔父のリュウを頼ってこの町にやって来た少年シュイション。タンはアヘンと売春組織を支配することで町を牛耳っていた。シュイションは、タンがその権力の象徴として囲っている愛人で上海一の歌姫チンパオの召使として働くことになるが……。退廃した30年代の上海を舞台に、この町のギャング社会を背景にしながら、少年の視線から1人の女性の運命の変転を静かに見つめたドラマ。

1950年。第二次世界大戦の終結による満州国の崩壊と国共内戦の終結により、共産主義国である中華人民共和国の一都市となったハルビン駅の構内。5年間にわたるソビエト連邦での抑留を解かれ、中華人民共和国に送還された「戦犯」達がごった返す中で、列から外れた1人の男が洗面所で自殺を試みる。男は監視人の手により一命を取り留めるものの、薄れ行く意識の中で幼い日々の頃を思い出していた。この男こそ清朝最後の皇帝にして満州国の皇帝、「ラスト・エンペラー」と呼ばれた愛新覚羅溥儀その人であった。

The film begins following the British victory of the first Opium War and the seizure of Hong Kong. Although the island is largely uninhabited and the terrain unfriendly, it has a large port that both the British government and various trading companies believe will be useful for the import of merchandise to be traded on mainland China, a highly lucrative market.

PLA send scouts to get through Yangtze River to collect enemy information of defense.

In 1949, as the country celebrates liberation, KMT agents are ploting.

Shot in gorgeous color, this fascinating communist flipside to fifties Hollywood music biopics chronicles the life and tragic early death of Nie Er, the composer of the PRC’s national anthem.

Qiong Hua is a slave girl of Nan Batian, a big landlord in Yelinzhai Village on Hainan Island. She has tried many times but cannot escape from the landlord's cruel oppression. Later, Nan Batian jails her in a water dungeon. Hong Changqing is the Party representative of a red detachment of women. He disguises himself as a wealthy businessman residing abroad and comes to her rescue. He pretends to buy Qiong Hua to be his slave, saves her from the abyss of sufferings, and instructs her to join the red detachment of women. At the outset, Qiong Hua joins the revolutionary rank to settle her personal grudge. Educated by Hong Changqing, she becomes a conscientious revolutionary fighter.

Financial and political pressures bankrupt a Chinese store owner.

A soldier finds his new role in the transition from war time to the construction era.

The sailors on a Kuomintang warship revolt, arrest their officers and defect to the Chinese People's Liberation Army.

Based on the novel "Mother" by Maxim Gorky, about the hardships of a peasant laborer.

A professor of East China University and his family become supporters of the Communists after America supports the Nationalists.

This movie is based on the true story, which happened in Shan-Dong Province of China during World War II. It is based on a collection of memoirs of the guerrilla members. Due to the fact that it happened during World War II and there was not much secrets, this movie is that it was more realistic than other movies in that many real names were used, and the actual site was not changed either like other war movies of the time. The drawback of the movie was that in the latter stage of World War II, the guerrilla force was developed into an impressive 400 plus members from its original beginning of 3, and it launched many major offensives against the enemy, but this part was not shown. The movie only concentrated on the time there were only several dozen members.

In the spring of 1949, a war is about to happen between the Liberation Army and Kuomintang Army on the Yangtze River. The Liberation Army dispatches a reconnaissance to scout the southern parts of the River, whose work is actually full of hardships and dangers. However, with the help of the local crowd and the guerrillas, finally, the members of the reconnaissance succeed in the commission and offer valuable information to the Liberation Army, making great contributions in the war.

A New York City businessman meets a window washer hoping to commit suicide and decides to market his grief to the highest bidder in this acidic satire on American capitalism, one made even more memorable by the fact that the entire “American” cast are Chinese actors in whiteface. The greedy Mr. Butler (Shi Hui) convinces the suicidal “Charley” that he might as well endorse some cigarettes as he jumps out of his office window, and maybe wear a particular suit too. A true cinematic oddity, this Korean War–era propaganda piece is a satire that Frank Tashlin could envy.