Michèle Bokanowski
出生 : 1943-08-09, Cannes, France
略歴
Michèle Bokanowski (August 9, 1943, Cannes, France) is a French Paris-based electroacoustic music composer. After a classical education in harmony, she met Michel Puig, a student of René Leibowitz, who taught her composition and analysis according to Schönbergian principles. In September 1970, she began a two year course at the "Service de la recherche de l’ORTF" (ORTF Research Department) under the direction of Pierre Schaeffer. At the same time, she participated in a sound synthesis research group, studied computer music at the Faculté de Vincennes as well as electronic music with Eliane Radigue. Between 1972 and 1984, she composed essentially for the concert ["Korè" for one pianist, "Trois chambres d’inquiétude", "Tabou"], and for film [mostly for Patrick Bokanowski]. Since 1985, she has also composed for television, theatre [with Catherine Dasté], and for dance [with choreographers Hideyuki Yano, Marceline Lartigue and Bernardo Montet].
Original Music Composer
A painter in his studio: his pencils, brushes, tubes, table, easel and drawings set themselves in motion in an explosion of colors and flashes of light.
Music
Afraid of losing his wife, Horatio creates a replica he calls Hortensia. But things don't go as planned...
Shot on 35mm and propelled by an impressive score by Michèle Bokanowski, the Quay Brothers evoke an intense drama of jealousy, betrayal and murder, revolving around a window dresser's obsession for a life-sized doll.
Original Music Composer
2018 short film by Patrick Bokanowski
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Choreography of an imaginary journey.
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In this documentary, under the gaze of Pip Chodorov, Patrick Bokanowski evokes the genesis of his films and shows, by explaining them, a certain number of his inspirations (his meeting with the painter Henri Dimier , his first photographic tests...), his tools (lenses, title bench, masks, costumes...), his attempts, such as this idea of filming the moving reflection of a mercury surface.
Herself
In this documentary, under the gaze of Pip Chodorov, Patrick Bokanowski evokes the genesis of his films and shows, by explaining them, a certain number of his inspirations (his meeting with the painter Henri Dimier , his first photographic tests...), his tools (lenses, title bench, masks, costumes...), his attempts, such as this idea of filming the moving reflection of a mercury surface.
Original Music Composer
Behold the struggle between light and dark, the two principles that are at the very heart of the cinematic deed. A Solar Dream takes the seventh art’s ability to generate imaginary and phantasmagorical worlds to the limit, multiplied here by Michèle Bokanowski’s enveloping music. A precious plastic and sonic gem.
Original Music Composer
Experimental film by Patrick Bokanowski.
Music
Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.
#2
Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.
Music
A housewife is preparing a duck à l'orange in her kitchen. But the reluctant bird tries to escape from her but the woman manages to recaptures it and plucks it savagely. Once the duck is put in the oven, an alligator unexpectedly appears in the kitchen, threatening the cook.
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Memories split in the space.
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Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.
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Reworked and colored images of people playing at the seashore.
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The climbing of an immense staircase made up of the most varied stairs- Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly. The steep staircase leads little by little towards the zones of great light where human beings and nonhuman beings meet.
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A Creator of the Imaginary: Patrick Bokanowski
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Relentlessly reworking ‘real’ images, using techniques borrowed from painting and animated film, Patrick Bokanowski is an author of stature, capable of creating an insane and cataclysmic universe of unquestionable beauty. – Michel Perez
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A study of human anxieties about beauty, youth and objectification.
