Ivana Todorović

参加作品

When I'm at Home
Director
A young woman returns home from abroad after several years to confront the trauma from her past. The silent witnesses of her trauma still live with the old lies. Are they brave enough for the truth?
When I Was a Boy, I Was a Girl
Director
The director portrays her transsexual friend who gives her very special, unpretentious access. A very intimate view, that gets very close.
Makis City
Editor
The film follows the fate of residents of Belgrade's workers' settlement Makis, a once-industrial neighborhood declared a tourist zone, despite inadequate urban and communal and environmental conditions. Through their portrayal of citizens' initiative to appeal to the city authorities to improve the living conditions in Makis, their internal disagreements and individual life stories in the film subtly and impartially reflect the transition process, the remnants of the socialist legacy, and the hints of the capitalist present.
Makis City
Cinematography
The film follows the fate of residents of Belgrade's workers' settlement Makis, a once-industrial neighborhood declared a tourist zone, despite inadequate urban and communal and environmental conditions. Through their portrayal of citizens' initiative to appeal to the city authorities to improve the living conditions in Makis, their internal disagreements and individual life stories in the film subtly and impartially reflect the transition process, the remnants of the socialist legacy, and the hints of the capitalist present.
Makis City
Director
The film follows the fate of residents of Belgrade's workers' settlement Makis, a once-industrial neighborhood declared a tourist zone, despite inadequate urban and communal and environmental conditions. Through their portrayal of citizens' initiative to appeal to the city authorities to improve the living conditions in Makis, their internal disagreements and individual life stories in the film subtly and impartially reflect the transition process, the remnants of the socialist legacy, and the hints of the capitalist present.
A Harlem Mother
Director
In 1998, 18 year old Latron Parker made documentary about difficulties growing up in Harlem. Eights years later he was shot dead on the street. Today his mother Jean fights youth gun violence and helps other parents to survive the pain through her organization, Harlem Mothers. Weaving footage from Latron’s own film with scenes from Jean’s new life today.
Rapresent
Director
This film is the portrait of Bojan, a young man with a passion for graffiti and hip-hop who lives on the streets of Belgrade. He died at the age of 21 from an overdose.
Na kraju puta
Director
Željko and Viki sacrifice all they have to ensure a gentle end of life for discarded horses on their small plot of land. END OF THE ROAD examines mortality and the need for compassion, empathy and dignity to be extended to all living beings for the entirety of their lives' journey.