Nidžara Mehić

Kym, an Australian tourist, decides to travel to Bosnia. Her guidebook leads her to Višegrad, a small town steeped in history, on the border of Bosnia and Serbia. After a night of insomnia in the 'romantic' Hotel Vilina Vlas, Kym discovers what happened there during the war. She can no longer be an ordinary tourist and her life will never be the same again.

A microcosm of the fathomless suffering that remains more than 16 years since the siege of Sarajevo ended, writer-director Aida Begic’s follow-up to her 2008 Cannes Critics’ Week Grand Prize-winning debut Snow tells the story of two orphaned siblings struggling in a transitional society where only the fittest survive.

Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

Two years after the Bosnian civil war, a town that is slowly rebuilding itself must whip together a democracy when it's announced the U.S. President Bill Clinton might be paying a visit.

At the traditional Muslim funeral service for his father Fikret Varupa, sixteen year old boy from Sarajevo, learns that his father owes money to Hamid, a man he does not even know. The debt is considerable and Hamid does not want it to go to the grave with the body, so the debt automatically passes from the father to the son. Since in Bosnia this way of collecting debts, at a funeral, is considered to be utterly humiliating, it is never, ever applied. Fikret and his entire family become subjects of ridicule. Fikret, who is practically still a child, is decisive to "redeem his father's soul". Wishing to repay his father's debt and to secure the forgiveness, Fikret wanders into the real world of Sarajevo, the world that is ruled by post-war chaos, misery and poverty and becomes an ideal target for two corrupted policemen who wish to "help" him: they plant the kidnapped girl on him.

This film follows father Ahmed and son Tarik Karaga during WWII and the Siege of Sarajevo.