Pontedera, 1945. Enrico Piaggio's factory is in rubble. Piaggio feels the enormous responsibility that rests on his shoulders: the life of many families depends on his ability to create a new job. A project is beginning to form in his mind, a dream: to create a means of transport that is small, agile and economical, but capable of reviving mobility and boosting recovery. The road to affirmation, for Piaggio and its creature, is fraught with obstacles. An avid financier, Rocchi Battaglia, uses every means to take possession of the factory. Piaggio understands that his scooter, the Vespa, can and must become "the icon of rebirth" and so, when he learns that the American director William Wyler will shoot the film Roman Holiday (1953) in Italy, he sends Suso, a young and talented employee of the public office, to make contact with him to convince him to make the Vespa the "carriage of Cinderella" on which to make the two young and in love protagonists travel.
Luca, a diction teacher, saves the life of a student which is the offspring of the famous "Serranò" criminal family. Out of nowhere, members of the Serranò family burst into Luca's life to repay him without accepting a "no" as an answer.
It's 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied - tragic, bizarre, funny or erotic - but common and central to all of them is the female presence.
Alberto Manzi is twenty years old and wants to be a teacher. He gets the job at a juvenile correctional facility, to then get transfered to a proper school, who he deems inadequate. At that time the public broadcasting network Rai decides to realize a program to educate millions of Italians.
