Jean Grécault

学校で哲学を教えている教師カミーユ。彼女は、紛争の最中のサラエボで戯曲を上演するため、従弟のジェローム、メイドのジャミラとともに出発した。そして、カミーユの父で映画監督のヴィッキーもまたしぶしぶこの旅に付き合うのだった。しかし、その過酷さにくじけたヴィッキーは行程半ばにして脱落してしまう。旅を進める3人も戦火のサラエボで捕虜となり、カミーユとジェロームは銃に倒れる。一方、ヴィッキーは“男爵”と呼ばれるプロデューサーの依頼で、新たな映画を監督することになり、さっそく海辺で撮影を開始するのだったが……。

What there is of a plot in this drama serves mainly as a vehicle for the exploration of character. In the story, Michel (Bernard-Pierre Donnadieu) is a recent widower. As the story opens, he and his friend Andre (Philippe Nahon) are sharing a drink on Christmas Eve. He takes a yellow scarf from a woman he knows (Laura Morante) and teasingly refuses to return it. Throughout the remainder of the film, the scarf reappears, as does the woman, until they wind up in bed together at the end of the film. Before that happens, Michel wanders around Paris, viewing the festivities with a jaundiced eye which serves to heighten the unattractiveness of those he observes. Later he has dinner with a group at Andre's house, and his poor opinion of human nature is amply supported by the events that occur then.

In this French comedy, the young adult children of working-class Arab immigrants living in the projects of suburban Paris endeavor to find a suitable cultural identity. The story centers on four young men in their 20s: Farida, who tries to live according to family traditions; his rebellious sister Souad, who wants to be as Westernized as possible and works at a fast-food outlet; her ex-boyfriend, Jean Luc, who wants to be an immigrant lawyer; and his friend Moussa. The film is comprised of brief incidents from their lives.

An adolescent comes of age during a summer in the Rhône valley with his maternal grandparents. Jules seems a little too close to his mother and distant from his father, who wants Jules out of their Parisian house. It's to be a summer of transition, perhaps to a boarding school, and during these weeks in the country, Jules fishes with his grandfather; proves himself to the local youths, a group led by the bullying Red; takes on some tough guys; feels rejected by his mother; and, meets and pursues Evelyne, the village beauty. She's responsive, and Jules doesn't exactly know what to do next. Then, something happens that propels Jules into decisiveness and maturity.

Arsène Muselier returns to his home village at the end of the First World War. His only injury is a head wound, which sometimes provokes periods of delirium and fury. As he renews his acquaintance with the people he left behind - his mother, the old farmhand who brought him up after his father's death, his former girlfriend, and many others - he becomes fascinated by the legend of La Vouivre, a creature with the body of a woman who lives in the marsh, surrounded by vipers. One day, Arsène sees the strange woman - she is naked, beautiful, alluring, and he is instantly enchanted by her. Can she be real, or is she merely a creation of his damaged mind...?

This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.