A young woman on board of a bus notices that her watch has been stolen. The ticket collector keeps everybody on board, and upon the advice of a traffic police, they drive directly to the nearest police station.
Vetró János, the lorry driver, is an alcoholic. His marriage is in pieces, his wife has a lover. Their son suffers an accident. The next day his wife moves out. In his desperation, Vetró drinks even more, and leaves his work as well.
Csepel, 1945. The Csűrös family, in addition to their three children, give accommodation to the orphaned Jóska, although they themselves struggle with difficult circumstances. The boy lends a helping hand in the factory during the days.
This is a satirical comedy poking fun at favouritism. Kis Jenő proposes to Malvinka each year, but in vain, as the mother of his beloved considers him hopelessly unfortunate.
The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.
On New Year's Eve in 1956 the artist couple, the actor János and the dancer Viki are hastily packing. While they are waiting for the car, which is to take them across the border, their entire life is replayed in front of their eyes.
Sztankó János, the freshly appointed director of a company that builds agricultural factories meets his former classmate, Palócz. Palócz is just released from the prison where he got on made-up charges. Sztankó suddenly decides to employ the engineer since he wants to show up spectacular, quick results.