Cédric Berger

Set in 1900, Lili d’Alengy, a Parisian cocotte at the height of her fame, flees Paris to hide her “idiot” daughter. There she meets Maria Montessori, who is pioneering a teaching method that may help the child.

Following the death of her younger brother during a police intervention, Malika embarks on a legal battle to ensure a trial takes place. However, her quest for truth jeopardizes the stability of her family.

Following the death of her younger brother during a police intervention, Malika embarks on a legal battle to ensure a trial takes place. However, her quest for truth jeopardizes the stability of her family.

La Traviata, My Brothers and I tells the story of 14-year-old Nour (Maël Rouin-Berrandou), growing up in a housing project in the South of France, with his older brothers, who take turns caring for their ailing mother, who is in a coma. Nour dreams of becoming the new Luciano Pavarotti, inspired by La Traviata, an opera he knows well because his Italian father wooed his North African mother by singing its arias to her. Between his work in the community and rising tensions at home, Nour dreams of escaping to a faraway place. When he crosses paths with Sarah (Judith Chemla, A Woman’s Life, AF FFF17), an Opera singer teaching summer classes, he finally finds the opportunity to come out of his shell and explore new horizons.

Idi and Rita live with their grandmother, Manie. Idi tries to keep the memories they have of their mother, by drawing on his school notebook. By the force of their desire, the children keep the link they have to their funny mother, despite the separation.

Adel is a 57-year-old man. He dedicates all his time to his local soccer club, and gets by doing temporary work. Then he learns that he is no longer eligible for the government’s low income benefit.

Simon, a young orphan, has an extraordinary power : he can take on the appearance of people he’s already touched. When his best friend dies in an accident, there is no witness. Simon decides to steal his place in his family. Ten years later, the truth will get more and more difficult to bear and to hide...

Despite her best intentions and hard work, a single mom with two sons just can't make ends meet and is forced to depend upon credit just to get by. Desperate, she can see only one solution left to save her family: stage a hold-up.

Camille, an assistant at an art gallery, hosts Masato Kimura, a Japanese video game designer who has come to France to promote his latest creation. Indifferent to his world, Camille finds the man inscrutable until Masato asks to use her face in his next game.