Sofía Victoria Rodrigo

参加作品

La Vie
First Assistant Camera
Franck is an astrophysicist. His job is to perform laser drillings with the Lynx, an exploration rover on Mars. Assisted by his collegues, he spends the night looking for traces of organic life by examining rocks. In the morning, he will meet with his son who has been traveling around the world after staying with his mother.
La Dernière Douane
Assistant Director of Photography
An update of the myth of Orpheus and Eurydice, between night train and seaside resort, in the form of a cinema poem in relief.
A Proper Man
Art Direction
Étienne is dumped by his girlfriend who criticizes him for not behaving like a real guy. He is then caught up in three episodes by his past, represented by his ex-partners, Lucas and Caroline, as well as his mother and sister, who appear one after the other in his apartment. Étienne falls back into his old patterns, his relatives only wanting an image of the virile man they have made of him and whom he is trying to embody. He becomes aware of it the moment a young man appears and thus has the chance to drop his mask, to assume who he is, in an unexpected way but unique to himself.
Sunset Cemetery
First Assistant Camera
Joseph isn't particularly happy, even though he's good at hiding it. The day his brother dies, he becomes certain he'll miss out on his life. So that it doesn't slip away from him, one night he gives in to his desire.
A Violent Desire for Joy
First Assistant Camera
Region of Occitania, France, 1792. As the storm of revolution devastates the country, young monk Gabriel and his companions live peacefully in the Franciscan monastery of Saorge, near the Italian border. But everything changes with the arrival of the beautiful Marianne and a military detachment.
Little Manifesto Against Solemn Cinema
Director of Photography
A trivial story about two people who meet at a party and spend the night together, told in the most pretentious, most poetic and, above all, most solemn of ways.
Jorge
Director of Photography
What if the love of your life unfriends you on Facebook. Alejandra is surprised by the news and everything that happens during the day reminds her of him, making her quiet thoughts a not very healthy obsession.
Favio: Chronicle of a Director
Cinematography
There are very few icons in Argentine culture capable of appealing to both popular and elitist tastes. Leonardo Favio was undoubtedly one of them. An unseasonable Peronist attached to the liturgy of his land, the director, born in the province of Mendoza, was and artist at every craft. a Renassaince man, but above all, a filmmaker. This is how "Favio: Chronicle of a Director" recaptures him, as a man of film who fed from radio, acting, music and painting in order to build up the handful of rhapsodies with which he adorned argentinean cinematography
El amor cambia
Cinematography
Marco, Patricio and Lucrecia form a peculiar loving relationship. For Patricio this does not seem to be a problem; it is shown as a person willing to a fickle love. But Marco plays the role of the neurotic: he does not feel a taste in this triad, he chases the girl, questions his friend, bothers the relationship and shows his disagreement. This could go through a triangle to use, one more in the history of cinema. But sometimes the geometry breaks.