Frédéric Schuld

参加作品

The Chimney Swift
Animation Director
19th century somewhere in Europe. A child has to climb up a chimney, a bird sails down into it and builds a nest, there is no going back for both.
The Chimney Swift
Art Direction
19th century somewhere in Europe. A child has to climb up a chimney, a bird sails down into it and builds a nest, there is no going back for both.
The Chimney Swift
Writer
19th century somewhere in Europe. A child has to climb up a chimney, a bird sails down into it and builds a nest, there is no going back for both.
The Chimney Swift
Director
19th century somewhere in Europe. A child has to climb up a chimney, a bird sails down into it and builds a nest, there is no going back for both.
Lickalike
Production Manager
Someone falls off the scene and a tree is upside down. In the search for the roots, people are torn from their usual order, while in the dark connections are made. A woman tastes of the primordial soup and we end up in a system of people spinning around themselves. Only one person remains alone, but he gets unexpected comfort from somewhere.
Lickalike
Associate Producer
Someone falls off the scene and a tree is upside down. In the search for the roots, people are torn from their usual order, while in the dark connections are made. A woman tastes of the primordial soup and we end up in a system of people spinning around themselves. Only one person remains alone, but he gets unexpected comfort from somewhere.
Carlotta's Face
Director
We all share the same kind of brain yet everybody has a different view of the world around us. As a very intriguing example, Carlotta vividly explains how a world without faces does look like. She suffers from the miswiring of a tiny brain region that makes it impossible for her to see and remember faces as a complete construct, called prosopagnosia or face blindness.