Murat Çelikkol

その惑星を制する者が全宇宙を制すると言われる砂の惑星デューンで繰り広げられたアトレイデス家とハルコンネン家の戦い。ハルコンネン家の陰謀により一族を滅ぼされたアトレイデス家の後継者ポールは、ついに反撃の狼煙を上げる。砂漠の民フレメンのチャニと心を通わせながら、救世主として民を率いていくポールだったが、宿敵ハルコンネン家の次期男爵フェイド＝ラウサがデューンの新たな支配者として送り込まれてくる。

The film explores the past, present, and future relationships between technology, vision, and power. From arcane theories of sight to the emergence of virtual reality and police body camera programs, the film takes a kaleidoscopic investigation into how the reality of what we see is constructed through the tools that we use to see.

Esma, Berk and Hasan are three people who try to escape the troubles of life with the help of a video game called Discovery. These three young people is sucked into the game in a mystical way. They find themselves in the battle of Gallipoli.

Year 2000, Samsun... Uğur takes a minibus home. When he shudders, there’s a flash-back with his daughter Berrak’s voice with song of the eighties playing on the radio. Uğur, now working as a machinist in Sivas in 1980 tells his wife Handan that he got a promotion and was assigned to Divriği which meant they had to move again. However, they got a lodging and that’s a good news. Her neighbors mention about Alawite people living in Divriği and this makes Handan worried. After they arrive to Divriği, they can’t find a place to live since the lodging was still occupied. They begin to live in the reserve railway car. Handan is in poor spirits because of their Alawite neighbors, dangers caused by the railroad and not to be able to move to the lodging. After months of waiting, they finally move but the new developments would take them to a different point in their life.